Conchita Wurst Releases Dramatic New Music Video for 'Heroes': WATCH

Conchita Wurst Releases Dramatic New Music Video for 'Heroes': WATCH

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Bearded drag performer Conchita Wurst has released a dramatic new video directed by Clemens Purner for his power ballad “Heroes”, which is the follow-up to “Rise Like a Phoenix“, the track which led to the Eurovision crown.

According to Sony, Wurst came up with the concept for the video which represents a relationship between two people. A man is asked to reconsider his previous actions and do something good for humanity, to be a hero.

Wurst was recently honored by the United Nations in Vienna for his work on behalf of the LGBT community.

Watch the new video, AFTER THE JUMP

Heroes


Andy Towle

www.towleroad.com/2014/11/cwheroes.html

12 More Mind-Blowing Documentaries You Can Stream On Netflix

12 More Mind-Blowing Documentaries You Can Stream On Netflix
In light of World Television Day and the upcoming holiday weekend, it seemed like a good time to review another set of Netflix documentaries. If you’ve already powered through the first three collections, here are 12 more:

“How to Survive a Plague”
“How to Survive a Plague” captures the turmoil witnessed in Larry Kramer’s semi-autobiographical “The Normal Heart” with depictions of actual events at the onset of HIV/AIDS activism. Telling the story of organizations AIDS Coalition to Unleash Power (ACT UP) and Treatment Action Group (TAG), the film depicts the challenges to change perceptions that AIDS is a death sentence. Director David France tackles an infuriating obstacle to highlight the compelling power of grass-roots movements.

how to survive

“The Waiting Room”
An intimate look at the health-care crisis, “The Waiting Room” functions as a much-needed indictment of the system, but also manages to cast an uplifting and even empowering look at the employees who care for the sick in the bleakest of circumstances. Director Peter Nicks is granted an impressive level access into a day of life in the ER. Acting as his own cinematographer, he is able to scrutinize the struggle of bureaucracy for a look at the hopeful optimism of compassion.

waiting room

“Cropsey”
The personal connection that directors Barbara Brancaccio and Joshua Zeman have to the story at the center of “Cropsey” makes the 2009 documentary haunting in a way that fictionalized scary movies could never compete with. Growing up in Staten Island, the two spent childhood terrified of an urban legend known only as Cropsey (from the local slang for “maniac”). When the story was tied to the very real cases of missing children, the nightmarish figure was lost in an intersection of myth and genuine danger that only grows more horrifying as they are parsed.

cropsey

“Smash His Camera”
Andy Warhol once said, “My favorite photograph is one that’s in focus and of a famous person doing something unfamous. That’s why my favorite photographer is Ron Galella.” “Steal His Camera” is the story not just of that man, but the paparazzi movement he started with his urge to reveal humanity within even the most glamorous celebrities. Featuring colleagues, critics and Galella himself, Leon Gast’s documentary makes for a compelling look at the clash of the right to privacy and freedom of the press.

smash

“How to Die in Oregon”
As humanely as “How to Die in Oregon” handles its subjects, the documentary remains quite difficult to watch. In 1994, the titular state became the first to legalize physician-assisted suicide. The film depicts the stories of those who have opted to take advantage of the “Death With Dignity” act. “How to Die in Oregon” brings together journalists, lawyers and physicians in an attempt to investigate the practical and philosophical implications of making this choice, the reality of which can only truly be comprehended by the families of the patients and, of course, the patients themselves.

oregon

“Bound by Flesh”
When conjoined twins Daisy and Violet Hilton were born, their mother thought they were a curse from God for sexual activity out of wedlock. Disgusted with the children, she sold her daughters to Mary Hilton, who abused and exploited them from infancy (displaying the girls in the back room of a pub for a fee, when they were just one month old). At once heartbreaking and fascinating, “Bound by Flesh” walks through the Hilton sisters’ story, in conjunction with a twisted history of the side-show culture that flourished as early American entertainment.

bound by flesh

“Crazy Love”
Dan Klores doesn’t do anything especially innovative with his 2007 documentary. The talking heads format he employs was one of the biggest criticisms upon release. Although, anything else might have distracted from the already overwhelming subjects of “Crazy Love.” Before and (somehow) after he threw acid in her face, Burt Pugach and Linda Riss participated in what is easily one of the most absurd love stories of the 20th century. If their relationship wasn’t documented across various newspapers and court documents, it would seem too over-the-top for even a daytime soap.

crazy love

“Leviathan”
Indeed, Andrey Zvyagintsev’s portrait of a fishing boat is not something meant to be taken lightly, but rather felt with the clashing drama of the same high seas in which Melville’s Pequod sought Moby Dick. Certain ham-fisted elements of “Leviathan” detract from the film — the Bible verse in a gothic font which proceeds the title sequence, for example — but, past the swirls of experimental filmmaking, an experience unfolds that is meant to rock audiences with the visceral intensity of the ancient (and incomprehensibly dangerous) profession of deep sea fishing.

leviathan

“Room 237”
“Room 237” marks the intersection between conspiracy theorists and extreme movie fandom that has found a home in Stanley Kubrick’s “The Shining.” Narrated by scholars and obsessive cinephiles, it gives life to a series of sometimes outlandish, sometimes plausible and always compelling theories that shine light not so much on hidden meanings planted by Kubrick, but our extensive capacity for imagination.

237

“Good Ol’ Freda”
“Good Ol’ Freda” covers a lot of tired lore that any serious Beatles fan would be well acquainted with. The beauty, however, comes from the subject herself: Freda Kelly, with her insight and genuine loyalty, worked with the band for 11 years (despite the fact that they were only together for 10). Never once did she attempt to convert her proximity to greatness into personal gain. Hers is a story of the faithfulness of fandom, which just so happens to run parallel to the men that forever changed the music industry.

freda

“The Vanishing of the Bees”
The dwindling honey bee population seems like it would be a problem for apiarists and maybe insect lovers. Though, paired with major economic, political and economic consequences associated with the dropping numbers, “The Vanishing of the Bees” warrants widespread concern. The film lays bare the daunting realities of Colony Collapse Disorder. While the format leaves a bit to be desired — slow-mo bees are hardly praise-worthy filmmaking — the information contained in Maryam Henein and George Langworthy’s documentary is powerful enough to sustain it.

bees

“The Art of the Steal”
“The Art of the Steal” tracks the fight for control of the Barnes Foundation’s post-impressionist collection. Director Don Argott employs a blunt lack of objectivity, framing his story with an unnerving shamelessness, though perhaps it’s refreshing in comparison to more subversive tactics that pervade the genre. Particularly intriguing, the impact of government control at the core of the narrative defies polarization.

steal

www.huffingtonpost.com/2014/11/19/netflix-documentaries-2014_n_6062176.html?utm_hp_ref=gay-voices&ir=Gay+Voices

Kirk Cameron Teaching People How To Act Around Gay People Is Nutty Even By His Standards

Kirk Cameron Teaching People How To Act Around Gay People Is Nutty Even By His Standards

Screen Shot 2014-11-20 at 3.22.07 PMA video has surfaced of a highlight reel from one of Kirk Cameron’s appearances on a wing-nut Christian channel called The Way Of The Master Television that is disturbing even by his standards.

“God hates gay people. God hates fags and you’re going to hell,” he says driving along the freeway with some guy who looks like his night job is selling cheaply produced cookware to insomniacs.

He continues, “If we fail to be blunt and straightforward about that sin, we’re doing a disservice to our gay friends.”

And which gay friends are those, Kirk?

The mission statement to the groundbreaking Way Of The Master ministry which Cameron cofounded in 2002 includes this sage wisdom:

“150,000 people die every 24 hours—most without the Savior. We are deeply concerned that so few Christians reach out to the lost. Statistics show that this is as low as 5%.”

The video is to help good Christian Evangelical folk learn how to witness to someone who is gay, and it’s full of truly terrible advice.

Cameron released a film called Saving Christmas: Putting The Christ Back In Christmas last weekend. So there’s that to look for.

Watch here:

Dan Tracer

feedproxy.google.com/~r/queerty2/~3/z-Vr1FWgNtU/kirk-cameron-teaching-people-how-to-act-around-gay-people-is-nutty-even-by-his-standards-20141121

Accepting My Partner's Gender Transition

Accepting My Partner's Gender Transition
Back before the Web, I posted a personal ad in the San Francisco Bay Times, my local LGBT newspaper. It read, in part, “I Like Fun. Seeking brainy brawny girls to frolic with.” I went in with low expectations, so imagine my surprise that, 19 years later, I am happily partnered with the person who answered my ad — someone else who likes “fun.”

From our first phone call on the morning of Jan. 1, 1995, there was an intellectual and emotional crackling between us that has always made our pairing both challenging and exciting. Back then, Willy presented as a butch lesbian but identified as a transgender man, and I articulated an interest in dating a woman-bodied man. What I mean by that was that I wanted someone who would open doors for me, thrill me with chivalry, buy me pretty things, and let me be the girl, but as a self-identified lesbian with a preference for butch women, I was not seeking to partner myself with a man.

Then my butch began transitioning, and I was faced with a choice. I want to tell you why this lesbian chose to stay.

I knew from the start that medical transition was something Willy was considering as a possibility, but somehow it seemed very far away. I appreciated his masculinity within our butch/femme dynamic. Finding my gender opposite and being appreciated for my womanliness felt like a soothing elixir and, at the same time, a thrill ride. Not that there weren’t difficult aspects to our relationship. Willy placed restrictions against touching some parts of his body; there were rules that protected his soul but made mine lonely.

Over the years, he did begin seriously considering transitioning. To be completely honest, the idea of it scared me. I was resistant.

I liked things the way they were. I had the masculine woman I wanted. I had identified as a lesbian since coming out at 16, and I didn’t know how to be the partner of a transgender man. I worried how it would affect my identity. I knew that being perceived by others as a heteronormative couple would afford me some legal, social, and safety privileges that I didn’t yet have — but I deserved those already. I resented that I could only get them if I was with a man.

In 1998 we had a big (though not legally recognized) wedding at the Oakland Rose Garden. In 2004 we were married again (legally, this time) when San Francisco’s then-mayor Gavin Newsom opened the door to same-sex marriages in the city. After that marriage was voided by the courts, we became registered domestic partners before the birth of our first child in 2006. We had two more children, in 2009 and 2012, respectively.

We lived through struggles with illness, finances, and the misery of the Proposition 8 campaign, when our neighbors pointed their “No Gay Marriage Allowed” signs at our house and organized street protests in our neighborhood, yelling their hateful rhetoric at us as we drove our son to preschool. At the same time, Willy and I had the American dream: a home and a family. Our everyday lives, like so many people’s, were a treadmill of drudgery, yet so sweet and lovely.

Then, as I was waiting to find out if I was pregnant with our third child, Willy came to me. “Well, I’ve decided,” he said. “I’m transitioning.”

Even after 17 years together, I wasn’t ready.

I was still so resistant to being seen as heterosexual. Coming from a traditional Greek immigrant family, I had fought long and hard for the right to be myself: a lesbian. And I worried that he would change and become someone else once he transitioned. Yet, at the same time, I did not want to be an unsupportive partner, and I was afraid of being judged by the transgender community for my feelings. His decision ultimately forced my hand, as it has for many partners of transgender people.

And I finally had to ask myself, “If Willy transitioned, would I really break up my family? Would I really leave the person I love?” In response, I kept coming back to the things I loved most about him: his passion, his loyalty, his wicked sense of humor, his intellect, his love for me and our kids. Life without him was unimaginable. So I told him I’d made a decision too.

Whatever Willy’s physical form, I choose him. I choose to stay.

I told him that I couldn’t make any promises that I would easily adjust or even know how I’d react to his changing body, but that I would respect his choice. And I hoped he could respect me and allow space for my feelings as I explored what this meant for me and my own identity.

Two months later he underwent chest reconstruction surgery. I grieved over this change to his body, yet I’ve since found an unanticipated benefit: There are no longer any restrictions against touching his chest. This area that had been banned for so many years was suddenly open territory. Even though the form had changed, the new freedom it allowed me lifted my heart. Moreover, Willy was happy, more at peace than I had ever seen him. More than anything else, this made it easier for me to change as he changed.

Still, there are awkward questions I struggle with: If I make a new friend, when or how or why do I tell them that I am a lesbian and that Willy is transgender? If he went through so much to actualize his reality, what is the purpose of telling? Yet if I don’t tell, I feel like I’ve somehow given an incomplete representation of my own experiences; all my queer struggles are erased. I know that as the partner of a transgender person, I am living my life as an ally — but it is still my life, and I am my central character. So I seek to honor and accept my feelings, whatever they are. I let them exist, and I let them pass.

In the end, Willy is my partner. We swim side by side through these waters. We seek to arrive at the same destination, but the strokes we choose to get there may differ. But that is OK with me, as long as we get there together.

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An earlier version of this post appeared on Advocate.com.

www.huffingtonpost.com/georgia-kolias/accepting-my-partners-gender-transition_b_6173430.html?utm_hp_ref=gay-voices&ir=Gay+Voices