Gallery of Geek: Shaun Simpson

Meet the talented photographer who is turning his camera lens to showcase sexy Cosplayers.

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Brian Andersen

www.advocate.com/arts-entertainment/geek/2015/02/16/gallery-geek-shaun-simpson

'Fifty Shades Of Grey' Isn't A Movie About BDSM, And That's A Problem
Like its source material, the “Fifty Shades of Grey” movie is a phenomenon. Sam Taylor-Johnson’s much-derided adaptation of E.L. James’ more-derided novel broke all kinds of box-office records over the holiday weekend, with more than $94 million in ticket sales. In the wake of its release, some critics praised the film for its feminism and sex-positive depiction of an S&M relationship. Others, not so much: “’50 Shades’ is domestic abuse” read one sign held by protestors during the film’s London premiere.

Maybe the problem was all in the marketing of this material: As it turns out, “Fifty Shades of Grey” is less of a movie about BDSM and more like an average stalker-thriller. It’s easy to get hung up on Christian Grey’s Red Room of Pain with all his floggers, crops, rope and cable ties. But the movie, which only features about 20 minute of sex scenes in total, is really about the obsessive lengths Christian (Jamie Dornan) goes to convince Anastasia Steele (Dakota Johnson), a 21-year-old virgin, to sign a contract that enters her into a dominant-submissive relationship, not the relationship itself.

It’s only Christian’s extreme wealth and the romanticized notion of his overarching dominant persona that barely mask what’s really just completely creepy behavior. In any other movie, a man or woman who tracks down another person at their job, local bar, home and, oh, their mother’s home in Georgia, a plane ride away, would probably end up in back of a police car.

“Everyone wants to focus on the spanking, because that’s the sensational part — that’s the part that everyone is going home and masturbating to anyways,” Mistress Couple, the head mistress at La Domaine Esemar, the oldest BDSM training chateau in the world, told HuffPost Entertainment. “People aren’t masturbating to the part where they’re fighting and he’s stalking her at work.”

Christian’s self-admitted inability to leave Ana alone shouldn’t be romanticized, nor should his controlling, domineering behavior be conflated with sexual dominance.

“He suffers from what I call ‘Domitis,'” said Mistress Mona Rogers, a professional dominatrix in New York City. “He walks around acting dominant all the time and that’s not realistic.”

Christian says he always gets what he wants, which he does by lavishing Ana with extravagant gifts (first-edition set of “Tess of the D’Urbervilles,” a new Macbook Pro, selling her busted powder blue Volkswagen Beetle in exchange for a shiny red Audi A3) and manipulating and controlling her into being with him on his terms.

“There is a very big difference between being true to yourself and ruling with an iron fist, and letting your desire for control, control you,” Mistress Couple explained when asked the difference between being dominant and being controlling or abusive. “At La Domaine, we say that if your fetish is controlling you, then it’s a paraphilia. This is something that’s potentially harmful to you as a person and I feel that is what Christian Grey embodies.”

For those who are blissfully unaware, Christian reveals he’s “50 shades of fucked up” because he “had a rough start in life.” [SPOILER ALERT] That’s code for he was born to a woman who was “crack addict and a prostitute.” In James’ books, his birth mother died by suicide when he was 4 years old. In the second book, “Fifty Shades Darker,” he tells Ana, “I’m a sadist, Ana. I like to whip little brown-haired girls like you because you all look like the crack whore — my birth mother.”

“BDSM is about creating vulnerability, opening yourself up to your partner in a way you can trust them to take you to some of these dark places that are considered taboo overall, but in a loving way,” Mistress Couple explained. “That’s what’s missing from the ‘Fifty Shades of Grey.’ Christian continuously violates [Ana’s] trust and her ability to feel safe, and that any person in their right mind would get out of a relationship that’s like that.”

Beyond simply being a movie cliche, how Christian’s own encounters with abuse formed his sexual desires is an inaccurate and problematic representation of what might motivate someone’s interest in BDSM.

“There is such confusion about the whole abuse issue. That if you are into [BDSM] you were abused as a child, which is absurd,” said Master R, the head master at La Domaine, who previously was a professional submissive in New York City for almost a decade, before exploring his own dominance and later opening the training chateau in 1993.

“The concept that if you are into it you are going to be abusive, is also absurd. Most psychological studies coming out now say that people in BDSM relationships are very healthy, and often far more balanced because we communicate so much, and we are trying so hard not to be abusive. That’s why this film is so objectionable and this character is so objectionable,” he said. “I don’t think [author] E.L. James understands what domination and submission and mastery really is. She’s used caricatures that she’s encountered previously and prejudices that she’s encountered previously, so the whole character is going to be carrying not only a lot of falsehoods but false understandings.”

In fact, while Christian Grey is all “fucked up” a study published in the Journal of Sexual Medicine in 2013, found those involved in BDSM scored better on certain indicators of mental health than their counterparts. Other studies suggest bondage can induce altered mental states and reduce anxiety.

Mistress Mona also dismisses the notion of trauma inspiring someone’s interest in sexual dominance, and is quick to point out something everyone who practices “safe, sane, consensual” BDSM knows: The submissive is really the one who has all the power and sets the limits. And while “50 Shades of Grey” spends a lot of time talking about consent, with tedious discussion and even negotiation of Christian and Ana’s relationship contract, Ana never signs the consent form. Not that it would even matter, since Christian never adheres to his own rules anyway. At one point he even says, “Fuck the paper work.”

Another reason “50 Shades” isn’t really a BDSM movie is that, at its core, the film rejects [D]iscipline, [S]adism and [M]asochist. Anastasia is down for some light bondage, and even a little over-the-knee spanking, but she just can’t understand why Christian wants to “punish” and inflict pain on her.

For those who haven’t experienced it, the motivations behind these desires can also be difficult to understand. But as Mistress Couple emphasized, rarely do motivations stem from abuse. In her case, she sees herself as a “sexual or spiritual guide,” or even as somewhat of a coach to an athlete.

“Athletes are revered in our society for their endurance and strength. Nobody ever stops to consider that the pain and endorphin rush a runner feels from getting a side cramp is comparable to the sting of a mistress’ whip,” she wrote in an email after our interview. “Engaging in intentional BDSM is like training for a long distance marathon. Some who engage in it are looking to be trained (the submissive and or masochist), others are drawn to coaching (the dominant and or sadist).”

Because those who practice BDSM are frequently portrayed in popular culture as broken people, we know why these misconceptions exist. But Mistress Couple breaks it down very simply for those, like Ana, struggling to understand why anyone would want to inflict pain on anyone else:

“It’s about being able to control a person and guide them to a place that is exciting for them — and also creating that intimacy by being the leader,” she said. “It’s not necessarily about getting turned on by hitting someone as hard as you can. For someone people it is, and they just want to see just how hard they can push that person, but I think operating like that all the time can be really dangerous.”

As for Christian’s need to whip brunette women who remind him of his birth mother, Master R explained that in “real, loving, partnered BDSM, it is possible to use it to deal with emotional damage, if you are open and honest.” But as anyone who has seen the film or read the book will agree, Christian is not truthful. “He’s as closed off to himself as he is to Ana. No matter what it’s going be, it’s going to remain an emotional crutch. It’s not going to do you any good to hit a woman who looks like your ‘crack whore mother.’ It will do you emotional good to get inside your own heart and see what happened and learn to be loving,” he said.

For more on BDSM and the reality behind “50 Shades of Grey,” check out HuffPost’s Love and Sex Podcast:

www.huffingtonpost.com/2015/02/16/fifty-shades-of-grey-isnt-bdsm_n_6684808.html?utm_hp_ref=gay-voices&ir=Gay+Voices

Epidemic of Anti-LGBT Violence Continues with Murder of Ohio Youth

Last Friday night, 52-year-old Kevin Golec fatally stabbed his child – a 22-year-old who appears to have gone by both Brian Golec and Bri Golec – during a domestic dispute.
HRC.org

www.hrc.org/blog/entry/epidemic-of-anti-lgbt-violence-continues-with-murder-of-ohio-youth?utm_source=rss&utm_medium=rss-feed

'The Walking Dead' Introduces Its First Openly Gay Character: VIDEO

Charles Pulliam-Moore

www.towleroad.com/2015/02/the-walking-dead-has-its-first-openly-gay-character.html

Terk Lewis Releases 'The Great Outdoors: Vol. 1' Single
At Huffington Post, we’ve seen a number of lesbian, gay, bisexual and transgender (LGBT) rappers making a name for themselves over the past several years.

Now, another gay rapper is aiming to take the industry by storm with his new EP titled “The Great Outdoors: Vol. 1.” Terk Lewis was born in Ohio but currently lives in New York City and also works as a dancer and a model. Check out Lewis’ Soundcloud below and read the brief interview to learn more his music.

The Huffington Post: What inspired this EP?
Terk Lewis: The great outdoors derives a couple of different meanings, including NYC, as it’s often referred to as the concrete jungle, Ohio — my place of birth and the actual great outdoors — as well as the numerous situations in our everyday lives where people act like animals.

It’s about predator/prey relationships in all kinds of contexts.

How does your background in dance inform your music and vice versa?
My dance background has taught me how to fuse styles and blur lines… and that’s what I wanted to do with this project. I’ve been experimenting with rapping/singing on everything from dance and EDM tracks to strum n bass “folkie” beats. Dance has also opened my eyes to different music genres. Because of that, a shuffle through my music library could take you from Rachmaninov to Lil Wayne and back again.

Do you consider yourself a queer (or gay) artist? How does your sexuality influence your work?
Sure. But in my art, the same as in my everyday life, I don’t get much into labels. Of course, my sexuality influences my work; on this track I rap about some of my NYC antics and “conquests.” But I try to write it in an abstract and intelligent way so that my music is accessible, smart and easily relatable. I want my art to surpass sexuality, race and gender.

What’s up next for you?
The full EP “The Great Outdoors Vol. 1” will hit virtual shelves in the next couple weeks — I haven’t really thought past that. Stay tuned to terklewis.com or follow me on Instagram.

Head here to check out Lewis’ single on iTunes and visit his official site for more info.

www.huffingtonpost.com/2015/02/16/terk-lewis-the-great-outdoors_n_6664122.html?utm_hp_ref=gay-voices&ir=Gay+Voices

Looking at “Looking”: Season 2, Episode 5

Before watching this week’s episode, I settled in to catch SNL’s 40^th anniversary celebration. The dazzling array of comedic talent on display made me suddenly nervous, because I’ll never be as funny as those legends. Then I caught the tense, mopey adventures of our favorite San Franciscan relationship repellers and took solace in the fact that I’m still much funnier than them.

We start off on a sour note with Patrick making spin art at his office party while everyone else drinks and has a good time. Unable to handle the awkwardness of a situation that he has spent months actively cultivating, he decides to bounce early. Kevin, of course, begs his concubine to stay because that dude is all about having his cake and also eating a different cake, but Babyface is stone cold. I’m not sure where this sudden backbone came from; he must have watched Angela Bassett in Waiting to Exhale last night or something.

Or not. When he gets home, he falls back on the two most common crutches that aren’t alcohol: jerking off and Facebook stalking your ex. Turns out Richie needs someone to drive a truck for him! And certainly commuting alone with your recent ex through their old neighborhood couldn’t possibly turn into a bad situation. You know things are going south when even Agustin says you should tread lightly. He’s all, “think of Richie’s new boyfriend!” And he’s right. Seriously, Pat, is homewrecking just your new thing? Are you balancing the sociopath scales now that your roommate got a soul during the break between seasons?

Though Ag goes into the office today, the show doesn’t want to give its audience a mass heart attack by showing him contributing productively to an office or larger community, so take a deep breath: it’s his day off. He’s there to find Eddie, who is nowhere to be found. Just text, dude. This isn’t the ‘90s, it’s exceptionally easy to figure out where people are. One of the kids is there to lay down the facts: Eddie is Ag’s boyfriend, and is home sick. As usual, trans youth knows what’s up. Just listen to them. That’s good advice for life in general. You’re welcome.

Next: food. Patrick consumes an awkwardly large burrito that symbolizes his overall awkwardness. Even a simple lunch becomes a comedy of errors in his clumsy hands. Also, this menu selection further illustrates his versatility, because bottoms do not eat giant burritos. Meanwhile, Ag has descended on Eddie’s apartment with matzo ball soup because soup is what you get sick people and balls are all Ag talks about. It’s a fight to get the door open, but only because Eddie is faking his illness and wants some alone time, not because there’s another dude in there. Sharp misdirection, Looking. You almost fooled me into thinking there would be dramatic conflict this week.

Back at the office, Kevin mopes in his glass cage. There’s alcohol right outside, yo! You already paid for it. How are the two saddest people at this company the only ones who didn’t think to get plastered? Instead, he calls his boyfriend. There’s a vague hint that he might actually start the difficult conversation that desperately needs to be had, but instead they kiss and get cute and enjoy the festivities. Which is probably for the best. Like, your snack is gone, but don’t lose your main cake. It took so long to bake it, and you’ll never have that recipe again.

The trip down memory lane with Richie turns out to be less of a meet-cute than Patrick had hoped for. Getting to know someone’s family is theoretically the kind of thing that brings you closer to someone, and if you perhaps had an ulterior motive of trying to make that person feel emotionally invested in you, then establishing your link to their relatives and personal history would be a smooth move. Sadly, Babyface lacks smoothness, and Richie’s family is wildly blunt and sometimes homophobic. Cousin Ceci is not hesitant about doling out the sass because blood is thicker than lube and how dare you break her Ricardo’s heart, white boy? We learn second-hand, though, that Richie’s father is not supportive of his son’s homosexuality, and it’s a whole thing. And not the kind of thing that can be fixed with pouty eyes and platitudes, try though Pat might.

Ag and Eddie have some deep conversations of their own to get through. First, they have to clear up how exactly HIV came into Big Bear’s life. It’s a topic that is handled with humor and little depth because, as it turns out, the two men have somewhat different perspectives on where they are in their relationship. Remember earlier when Eddie wouldn’t let Ag into the apartment? He wouldn’t let him in? HE WOULDN’T LET HIM IN. Metaphors, y’all. So when Ag goes in for a kiss, Eddie has to shut him down, and then tentatively allow it on the condition that it doesn’t mean anything.

Back outside, our hapless hero and his barber friend are ostensibly having a good time. Like, two hot gay dudes driving through San Francisco in an ice cream truck is pretty much a Cazwell video waiting to happen. Instead, Pat uses the knowledge that he once broke Richie’s heart as a reason to break it again right now, while they’re trapped together in a motor vehicle. Richie’s all “no, really, whatever you’re about to tell me DO NOT DO IT” and Pat is all “I have verbal diarrhea (and maybe actual diarrhea because that burrito was legit large) and I slept with my boss while we were still together.” And despite this truly terrible revelation, they decide that they will still try to be friends. They claim to need each other, but I think the truth is that the writers need Richie not to disappear from the plot.

Then again, if they wrote him out, maybe there would be room for Dom in every episode. Where is he this week? Why isn’t he here to buy this ice cream truck? How did this episode not end with the establishment of a mobile chickenwindow? (Chickenwindow is all I care about.)

Chris Kelly

feedproxy.google.com/~r/queerty2/~3/qlNGFp3j2Po/looking-at-looking-season-2-episode-5-20150216

GOP 2016 Hopefuls Punt on Alabama Gay Marriage Questions

Kyler Geoffroy

www.towleroad.com/2015/02/gop-2016-hopefuls-punt-on-alabama-gay-marriage-questions.html