Hammersmith Flood: 70 Rescued By Fire Crews In West London

Hammersmith Flood: 70 Rescued By Fire Crews In West London
Seventy people had to be rescued by emergency services after becoming trapped by a huge flood in west London.

Fire crews had to evacuate stranded people by boat on Friday night after a burst water main caused streams of water to flow down the road.

The rising water left many trapped in restaurants and cars.

Water levels rose to nearly 20 inches in places, with flooding stretching across an area of about 650 metres by 100 metres.

London Fire Brigade said it had sent 49 firefighters to the scene, and had evacuated seven people from their homes. About 70 people were led to safety and a further 34 escorted from the area, the Press Association reported.

Station manager Paul Fitzgerald said: “Fire crews used boats to assist people who needed to leave their homes, although the majority of residents were able to stay in their property.

Crews still on scene at flooding in #Hammersmith pumping water away and assisting residents who need to leave their properties. Seven people have been evacuated. t.co/tL7ILsn8Qlpic.twitter.com/h7yuQ4AqxP

January 26, 2018
“Around 270 sandbags were provided to help stop water from entering buildings.

“Crews pumped water away and Thames Water was on the scene investigating.

“People were advised to avoid the area as a number of road closures were in place and Ravenscourt Park Tube station was closed.”

Thames Water said at the time it was working to fix the “major burst”, adding: “We are sorry, and working to resolve the situation as quickly as we can. We are aware some customers are without water or have low pressure. We will post updates as we have them.”

It was later reported that the flow of water from the burst main had slowed, and that flood waters had receded.

The fire service said it was called at 8.15pm, with four rescue units equipped with boats sent to the scene, with flooding cleared by about 2am.

www.huffingtonpost.co.uk/entry/hammersmith-flood_uk_5a6c4a1de4b06e253267d711

Dschungelcamp: Daniele wütet im Lager, wenig später muss Dr. Bob eingreifen

Dschungelcamp: Daniele wütet im Lager, wenig später muss Dr. Bob eingreifen
Windet sich vor Schmerzen: Daniele

  • Erst hatte Daniele bei “Ich bin ein Star – holt mich hier raus” noch über RTL geschimpft
  • Dann brauchte er die Hilfe des Senders

Daniele hat es momentan nicht leicht im Dschungel. Der Ex-“DSDS”-Star kämpft mit Nikotin-Entzug. Im Camp gilt ein striktes Zigaretten-Verbot.

“Es ist jetzt heute der dritte verfickte Tag”, schimpfte er am Freitag. Und griff danach auch den Sender an:

► “Was ihr hier macht, ist mehr als nur kalter Entzug. Ihr scheißt auf alles, was hier drin läuft. Euch ist alles scheißegal. Das einzige, was ihr braucht, sind Quoten.”

Ein ganz schöne Attacke. Wenig später aber brauchte Daniele die Hilfe von RTL.

Das ging daneben

Er wollte abgekochtes Wasser abfüllen. Leider ging dabei etwas schief. Vielleicht zitterte der Kippen-Junkie zu sehr wegen des Nikotin-Entzugs.

► Daniele kippte sich das heiße Wasser jedenfalls über den Bauch.

Er schrie, rannte ans Dschungeltelefon und schimpfte. “Es brennt wie Scheiße, wir haben nichts zum Kühlen”.

Er versuchte auch, sich im Weiher abzukühlen. Damit wurde es langsam besser. Zurück im Lager versorgte Dr. Bob den Verletzten.

Mehr zum Thema: So hat RTL das Dschungelcamp zerstört

Dr. Bob gibt Entwarnung 

► “Es ist nur eine oberflächliche Verbrennung von circa zehn Zentimetern. Es geht ihm gut”, sagte der Dschungel-Arzt. 

Mit einer großen schwarzen Bandage kam Daniele dann zurück ins Camp, legte sich erschöpft auf seine Liege – und schlief ein.

Endlich war wieder Ruhe.

Mehr zum Thema: Dschungelcamp: Dr. Bob holt etwas Ekliges aus Danieles Ohr

(lm)

www.huffingtonpost.de/entry/dschungelcamp-rtl-daniele_de_5a6c2d1ee4b01fbbefb1fe32

Holocaust Memorial Day: The 5 Million Non-Jewish People Killed By The Nazis

Holocaust Memorial Day: The 5 Million Non-Jewish People Killed By The Nazis
Six million Jewish people were murdered during the genocide in Europe in the years leading up to 1945, and the Jews are rightly remembered as the group that Adolf Hitler’s Nazi party most savagely persecuted during the Holocaust.

But the Nazis targeted many other groups: for their race, beliefs or what they did.

Historians estimate the total number of deaths to be 11 million, with the victims encompassing gay people, priests, gypsies, people with mental or physical disabilities, communists, trade unionists, Jehovah’s Witnesses, anarchists, Poles and other Slavic peoples, black people and resistance fighters. Half of the victims who weren’t Jewish were Polish.

Gay People

Homosexual men, and to a lesser extent women, were compelled to renounce their sexuality under the Nazi regime. An estimated 100,000 were arrested and some sent to prisons, while between 5,000 and 15,000 were sent to concentration camps, where some were forced to wear pink triangles on their uniform to denote being gay. As many as 60% of those send to the camps perished, according to German LGBT scholar Rüdiger Lautmann.

Pierre Seel, from the Alsace region of France, was just 16 when he was arrested after a cruel twist of fate. His watch was stolen – in an area notorious for gay cruising – and he reported the theft to police. Without his knowledge, this led to his name being added to a list of known homosexuals.

“The Germans came to Alsace In 1940,” he said in the 2000 documentary, Paragraph 175 by Telling Pictures. “And the Germans found the police files. They saw our names on these lists, lists of homosexuals. They were probably watching us. How we live, where we go, what we do. And one day I had to go to the Gestapo with 12 friends.”

Police sodomised Pierre with a piece of wood and sent him a regular jail, before he was transported to the Schirmeck-Vorbruck camp near Strasborg – called a “protective custody camp”.

“I wasn’t even 18,” he says in the Paragraph 175 film. “Arrested, tortured, beaten, with no defence, without a trial. Nothing. I was all alone. I don’t even mention being sodmised, being raped.”

In another traumatising experience, he was forced to watch his teenage lover Jo, who was also in the camp, being executed by being torn apart by Alsatian dogs.

“It happened in front of me and 300 prisoners. 300,” he said. “The death of Jo, my friend. He was condemned to die, eaten by dogs. German dogs. German shepherds. And that, I can never forget.”

Gay prisoners in the camp were abused and tormented by guards, and also by other prisoners. “There was a hierarchy, from strongest to weakest,” Pierre explained. “There was no doubt that the weakest in the camps were the homosexuals, all the way on the bottom.”

Pierre was heralded as being the only French person to speak out about being deported due to being gay, but the horror of those years memory still made him furious and tearful years later.

“Why did I not speak for 40 years? I am 90 per cent disabled from the war. My ass still bleeds, even today. The Nazis stuck 25 centimetres of wood up my ass. Do you think I can talk about that? That it is good for me? … I am ashamed for humanity. Ashamed.”

Pierre survived the camp: he was released without explanation in 1941 and forced to join the German army. He deserted from the army, and finally returned to his home city of Mulhouse, where he felt forced to “censor” his memories for fear of further persecution. He lied to even close family about the reason for his deportation, after his godfather disowned him after learning he was gay.

“I became aware that, in spite of my expectations, in spite of all I had imagined, of the long-awaited joy of returning, the true liberation was for other people,” he wrote in his memoir, ‘Moi, Pierre Seel, Déporté Homosexuel’ [I, Pierre Seel, Deported Homosexual].

Pierre married a woman and had three children. He never told his wife of 28 years that he was gay. After her death, he lived with his partner Eric Feliu for the last 12 years of his life, finally feeling able to live as himself. He died in 2005, aged 82.

Romani Gypsies

Romani gypsies were the second-largest group of people killed on racial grounds in the Holocaust. They were considered outsiders and “racially impure” by the Nazis and up to 1.5 million died in what is also known as the Porajmos (“mass killing” in Romani.) Like Jews, Roma people were murdered, sent to camps and gassed or used for forced labour. But only in the 1970s did the West German Federal Parliament classify their persecution as being racially motivated, and scholars largely ignored their deaths until the 1980s.

Ceija Stojka, a Romani gypsy living in Austria, was just nine when the Germans annexed the country and began arresting gypsies.

Her gypsy travelling family worked as horse-traders, but had already been forced to abandon their lifestyle when Germany annexed Austria. “Our wagon was parked for the winter… the Germans ordered us to stay put. My parents had to convert our wagon into a wooden house, and we had to learn how to cook with an oven instead of on an open fire,” she said in the United States Holocaust Memorial Museum archives.

“[Later], gypsies were forced to register as members of another ‘race’. Our campground was fenced off and placed under police guard.”

Her father was sent to the Dachau concentration camp for being “work-shy”. His ashes were returned to her mother months later. Ceija, her mother and her siblings were loaded onto a train bound for Auschwitz, where a horrific experience awaited them.

“The dead were stacked up in the corners and against the doors,” she said in an interview for the film Forget Us Not.

“For endless days, we stood. No food, no water. All the babies and pregnant women were dying. The door opened and the wall of dead and pregnant women fell out. People were trying to catch the rain drops in their mouth and were shot by the SS for not falling into line.”

Ceija’s mother had sewed pieces of bread into her clothes to help them survive. She hid her children under her skirts to ensure they were sent to work barracks rather than the gas chambers. Ceija worked in a quarry, after her mother convinced guards she was 16 and strong enough, not ten.

Her skin was marked with the number Z6399. “They took my name from me and instead tattooed a number on my arm. I am not going to be ashamed of that,” she said years later.

Ceija’s younger brother died of Typhus at Auschwitz. Ceija, her mother and one sister were then sent to Ravensbruck concentration camp in Germany, where sadistic female guards abused them. Ceija remembered one, called Binz, in particular:

“She had a large dog she would have attack and kill. No warning. One day we were hanging sheets frozen in the cold and an old woman tripped. Binz stomped her head as she lay on the ground until her brains came out.”

Binz planned to torture Ceija’s mother by submerging her in icy water, after discovering she had lied about Ceija’s age. Learning this, Ceija and her mother fled to a truck headed another German camp, Bergin Belsen – becoming separated from Ceija’s remaining siblings in the chaos.

“That is when the real misery began”, said Ceija of her first night at Bergin Belsen. The 11-year old slept in a pile of recently-killed corpses. “I asked their forgiveness and buried myself in the bodies to try and stay warm.”

She and her mother survived by eating “paper and pieces of leather”, until one day, while she was closing the eyes and of the dead out of respect, Ceija heard a loud bang. “The wall nearby me blew down,” she said. “There were tanks. A young man stood there in an unfamiliar uniform. He came to me and said: I am your liberator.”

The allied forces had arrived and she and her mother were freed. She was just 12. Ceija’s mother then pushed her 700 miles in a wheelbarrow to Austria’s third largest city, Linz, which was a meeting place for Roma people. Miraculously, her surviving four siblings found their way to the city, and the family was reunited.

Ceija was homeless for nine years, selling carpets because her family occupation of horse-trading was still banned. She later wrote and painted about her experience, becoming a well-known artist and an activist for awareness of Roma killed in the Holocaust.

“I reached for the pen because I had to open myself, to scream,” she explained at an exhibition in Vienna’s Jewish Museum in 2004. Her paintings included harrowing images of the death camps, and a joyful painting showing her mother and surviving siblings in a celebratory dance, to mark the joy of the liberation. Ceija died in 2013, aged 79.

Twins

Josef Mengele, the Nazi doctor at Auschwitz, was fascinated by identical twins and tortured them for horrific experiments, under the precept of furthering his research into genetics.

His procedures included unnecessary amputations, injecting chemicals into eyes to try to change eye colour, and intentionally infecting one twin with disease then transfusing blood into the other to see if the second twin survived. A pathologist who worked with him has recalled Mengele personally killing 14 twins in one night, with chloroform injections to their hearts.

Eva Mozes Kor and her twin sister Miriam were born in Romania into a family of Jewish farmers. Her family was pushed into a cattle van bound for Auschwitz in 1944, when the twins were 10.

When they arrived at the camp’s train platform, her father and her older sister disappeared in the crowd. When German officers learned the girls were twins, they dragged Eva and Miriam away from their mother. They would never see the rest of their family again.

“We were both crying, and mother’s hands were spread in despair,” Eva said in an interview with Vice. “We never got to say goodbye. I had the best mother on the face of this Earth.”

‘My parents and my older sister died within 30 minutes after arrival at Auschwitz. I never saw them again. They just disappeared. There is no record of them,’ she told AFP.

The girls had their heads shaven and their arms tattooed. They became lab subjects six days a week. The pair were undressed, large amounts of their blood was taken, and their body parts were rigorously examined. “They would spend three hours on my ear lobe,” Eva told Vice. “They treated me like I was nothing, like I was a piece of meat.”

After doctors injected Eva with bacteria through five large needles in her right arm, she became seriously ill. She remembers Mengele smiling over her, remarking that she only had two weeks left to live.

If one twin died in experiments, Eva knew that his habit was to murder the other so he could cross-examine their bodies. “I was thinking, if I die, then Miriam will be murdered as well,” she said of her determination to pull through.

Eva and Miriam were among just 200 sets of twins who survived Auschwitz, out of almost 1,500 pairs used for experiments. They can be seen at the front of a line of twins freed in an iconic photo from the liberation of the camp.

They founded the group CANDLES (Children of Auschwitz Nazi Deadly Lab Experiments Survivors), to unite twins who suffered Mengele’s brutality. Miriam died of cancer in 1993. Eva still speaks about her experience, and says she has forgiven the Nazis. “I realised that the ‘guinea pig’ had the power to forgive the god of Auschwitz,” she said. “No one could give me the power, or take it away from me. I refused to be a victim, and now I am free.”

Eva has returned to Auschwitz, and always dances on the platform where she saw her family for the last time. “That’s where they took away the joy of my life and my family,” she says. “This way, I reclaim it.”

People With Mental Illnesses

Those with mental and physical illnesses were regarded by the Nazis as “unworthy of life”, leading to a clandestine programme of mass murder, under the cover of ‘mercy killings’.

Institutions were turned into mass killing centres, with SS officers wearing lab coats to keep up the appearance of a medical programme. Families were told their relatives had died from illness and given faked death certificates, when in reality up to 300,000 people in German and Austria were systematically murdered, usually in gas chambers disguised as showers. Their organs were used for experiments.

The T4 ‘euthanasia’ programme pre-dated what is usually referred to as the Holocaust by two years, but continued informally during it, and disabled people were later sent to concentration camps with other groups.

Helene Lebel, nicknamed Helly, was a young legal secretary and law student in Vienna. She was raised Catholic, born to a Catholic mother and a Jewish father who died fighting in World War I. Helene started showing signs of schizophrenia aged 19, and had a breakdown after losing her dog, Lydi. She was diagnosed with schizophrenia and was sent to the Steinhof Psychiatric Hospital in Vienna.

Germany annexed Austria two years later. Helene’s condition had improved at the hospital and her parents believed she was well enough to come home. But she was not allowed to return. Her parents were first told she would be released, and then that she had been transferred to another hospital.

In fact, Helene was transported to a former prison in Brandenburg, Germany. She was undressed, physically examined and then led into a “shower room” where she was murdered with deadly gas. Despite this, the aspiring law student was officially listed as dying in her room of “acute schizophrenic excitement.”

Helene was just one of 9,772 people gassed in 1940 at the Brandenburg “euthanasia” centre, which was one of six in Germany and Austria.

Priests

Many members of the Christian clergy were either threatened with deportation and kept in custody, or sent to camps. The Catholic Church was particularly suppressed in Poland, where nearly a fifth of all priests – around 3,000 – were killed between 1939 and 1945, most in concentration camps.

Maximilian Kolbe was born 1894 and grew up in the Polish town of Pabianice. His father was German and his mother Polish. Maximilian’s life was shaped by a vision he believed he experienced of the Virgin Mary as a child. He became a Catholic Franciscan priest in his 20s, and founded monasteries in Poland, Japan and India, travelling the world to spread his beliefs.

When the German army invaded Poland, Maximilian organised a hospital at his Polish monastery. It hid up to 3,000 Polish refuges, many of them Jews, during a dangerous period, and continued to run a religious publishing house and radio station.

As news about the mass murders of the Holocaust spread, he wrote a message of hope in his newspaper at the time: “No one in the world can change Truth. What we can do and and should do is to seek truth and to serve it when we have found it.

“The real conflict is the inner conflict. Beyond armies of occupation and the hecatombs of extermination camps, there are two irreconcilable enemies in the depth of every soul: good and evil, sin and love. And what use are the victories on the battlefield if we are ourselves are defeated in our innermost personal selves?”

A month later, Maximilian’s monastery was shut down and he was arrested and transferred to Auschwitz. He was subjected to savage beatings in the camp, but continued to act as a priest, offering guidance and comfort to prisoners of all faiths.

Some priests in the camp were assigned to a cruel guard nicknamed ‘Bloody’ Krott, who forced them to cut and carry huge tree trunks. Krott is said to have developed a hatred of Maximilian and gave him heavier loads than the others. Priests who were imprisoned with him report that when they offered to help, he refused and said “Mary gives me strength. All will be well.”

He wrote to his mother form the camp: “Do not worry about me or my health, for the good Lord is everywhere and holds every one of us in his great love.”

One day in 1941, three prisoners vanished from Auschwitz. The enraged guards decided to starve 10 men to death in an underground cell to deter further escapees.

One of the chosen men, Franciszek Gajowniczek, cried out when he was selected, pleading that he had a wife and children, so Maximilian stepped forward and volunteered to take his place. In the cell with the doomed men, he continued to pray and minister.

Bruno Borgowiec, an assistant in the underground bunkers, is reported by Catholic writer Mary Craig to have said that: “In the cell of the poor wretches there were daily loud prayers, the rosary and singing, in which prisoners from neighbouring cells also joined… I had the impression I was in a church. Friar Kolbe was leading and the prisoners responded in unison. They were often so deep in prayer that they did not even hear that inspecting SS men had descended to the Bunker.”

As the men died one by one, Maximilian was the last left alive, and remained kneeling or standing according to eye-witnesses. Two weeks passed, and the guards decided to execute him by lethal injection.

Borgowiec reported that Maximilian held up his arm for the injection, willingly. “Kolbe, with a prayer on his lips, himself gave his arm to the executioner. Unable to watch this, I left under the pretext of work to be done.”

Maximilian was later made a saint, and his statue is carved over the door of London’s Westminster Abbey. His canonisation created some controversy; the pamphlets published by his monastery in Poland were said to have contained anti-Semitic articles, but reports of his benevolence towards Jews and fellow prisoners have remained unquestioned.

This article was first released in 2015 but has been republished to mark Holocaust Memorial Day on 27 January 2018.

www.huffingtonpost.co.uk/entry/holocaust-memorial-day-victims_uk_5a6c2bf6e4b0ddb658c6a901

“Egoismus First”: Medien warnen, dem gemäßigten Trump in Davos zu glauben

“Egoismus First”: Medien warnen, dem gemäßigten Trump in Davos zu glauben
Der Fremde: Donald Trump

  • US-Präsident Donald Trump hat bei seinem Auftritt in Davos mit einer moderaten Rede überrascht
  • Deutsche Medien warnen allerdings davor, nun einen weniger egoistischen Präsidenten zu erwarten

Es war vor allem ein Satz, der am Freitag die Schlagzeigen bestimmte: ”‘America First” bedeutet nicht ‘America Alone’”.

Gesagt hatte diesen Satz der US-Präsident Donald Trumpbeim Weltwirtschaftsgipfel in Davos. Seine knallharte “Amerika zuerst”-Doktrin solle nicht als purer Egoismus verstanden werden, wollte Trump damit mitteilen.

Deutsche Medien schenken diesen überraschend gemäßigten Worten des Präsidenten allerdings keinen Glauben. 

3 Lehren aus dem Auftritt des Präsidenten in Davos.

1. Der Dealmaker

In einem sind sich alle Kommentatoren einig: Trump hat seinen Besuch in der Schweiz vor allem zur Eigenwerbung genutzt. 

Trump habe den “world leaders” sein “Amerika zuerst”-Programm schmackhaft machen wollen, kommentiert die “Frankfurter Allgemeine Zeitung”.

► “Denn was er vor allem tat, war, Werbung zu machen: für den Wirtschaftsstandort Amerika; dafür, dort zu investieren, Arbeitsplätze zu schaffen, Geld zu verdienen.”

Vermutlich sogar mit Erfolg. Einige Unternehmer schienen ganz angetan zu sein.

Auch die “Welt” schreibt: “Die Rede des US-Präsidenten in Davos war nicht die eines Staatsmanns, der auch die Weltbelange im Blick behält.”

► Sondern der Immobilienmogul habe als eben jener Geschäftsmann gesprochen, “der er immer war und der er immer bleiben wird”.

2. Kaum verhüllter Egoismus

Einige Besucher mochten von dem handzahmen Präsidenten zunächst überrascht gewesen sein. 

► Aber, gibt die “Welt” zu bedenken: “Amerika zuerst, aber nicht allein – das hört sich gut an, heißt aber eben auch: die anderen immer an zweiter Stelle.”

Die ARD-“Tagesschau” zitiert einen Schweizer Unternehmer, der Trumps Rede einfach nur “schlimm” fand. Denn Trump fördere den globalen Egoismus.

Trump habe nicht verstanden, dass es in Davos um Dialog, nicht um Alleingänge gehe, kommentiert die “Tagesschau”.

► Und spitzt seinen Besuch zu auf die Formel: “Egoismus first”.

3. Der wahre Trump zeigt sich, wenn der Teleprompter aus ist

Dass die Rede von Trump so zahm ausfiel, habe auch am Redenschreiber gelegen, berichtet “Spiegel Online”. Nach dem Abgang des nationalistischen Beraters Steve Bannon sorgt normalerweise Stephen Miller, ebenfalls ein Hardliner, für Trumps Knallhart-Ansagen.

Doch Miller habe keine Zeit gehabt. “Darum hatte Gary Cohn, nationaler Wirtschaftsberater, die Davoser Rede verfasst”, heißt es auf “Spiegel Online”.

► Cohn wisse, was die Unternehmer in Davos hören wollen, denn er war einst bei der Investmentbank Goldman Sachs.

Der wahre Trump habe sich dann ohnehin erst nach der Rede, die er vom Manuskript abgelesen hatte, gezeigt, kommentiert die “Welt”.

► “Nur Minuten dauerte es, bis der alte, der gewohnte Trump wieder unverkennbar durchschien”, heißt es in dem Bericht.

Dann attackierte Trump nicht nur mit haltlosen Vorwürfen seine einstige Konkurrentin im Wahlkampf, Hillary Clinton, sondern beschimpfte einmal mehr die in seinen Augen verlogenen Medien. 

Es setzte Buhrufe aus dem Publikum.   

www.huffingtonpost.de/entry/donald-trump-davos_de_5a6c15e8e4b01fbbefb1fa68

SZA On How She Plans To Follow ‘Ctrl’ And Using Her New-Found ‘Loud Voice’ To Create Cultural ‘Ripples’

SZA On How She Plans To Follow ‘Ctrl’ And Using Her New-Found ‘Loud Voice’ To Create Cultural ‘Ripples’

SZA’s debut album, ‘Ctrl’, was one of 2017′s most critically acclaimed releases, and she’s showing no signs of slowing down. Ahead of her performance at this year’s Grammys, the singer spoke to us about what she plans to do differently second time around, and her new collaboration with Gap.

If you’re not up to speed with SZA, now would be the ideal time to catch up.

Having previously penned tracks for artists including Beyoncé, Travis Scott and Rihanna, last year saw the singer/songwriter release her much-awaited debut album ‘Ctrl’ which was met with universal critical acclaim, followed by an impressive five Grammy nominations (for perspective, that’s more than Ed Sheeran, Coldplay or any other female artist managed this year).

SZA’s 2018 is already off to an exciting start, with Gap having invited her to take part in their star-studded ‘Logo remix’ campaign, naming her as someone who is “remixing culture” with her musical contributions.

“I don’t think that I alone am remixing culture,” the singer – full name Solána Imani Rowe – says, when asked about the campaign, “It’s more like our culture is undergoing a transformation of its own.

“I don’t know what the hell’s going on with our culture. It’s something bizarre. It’s weird it’s, like, digitising and becoming analogue at the same time.

“And I think people are a part of that change, and that shift and that feel… I’m just honoured to be considered anything, like, at all!” 

I never imagined people would relate to my random thoughts… I’m just grateful to not be alone.”

Though the woman herself is clearly reluctant to play up to the impact she’s already having on culture so early in her career, ‘Ctrl’ was one of 2017’s most celebrated debuts, largely thanks to SZA’s frank and confessional songwriting.

But while the honesty of her lyrics is something that has made her one of the most endearing new voices in music in recent years, SZA (pronounced like “sizza”, if you’re wondering) has admitted she “never imagined” people would relate to what she describes as her “random thoughts”.

“Honestly, I didn’t think this album would be well-received at all… I’m honestly just grateful to not be alone,” she reveals, “I’m just grateful that people don’t think I suck, or that my thoughts don’t make any sense.

“I thought I was being way more haphazard than I ended up being to other people. Which is wild.”

Still at an early stage in what looks to be a promising career, SZA’s so-called “random thoughts” have meant a legion of devoted fans are now looking to her as an influential voice, something she’s clearly not taking for granted.

 

Because of her newfound popularity, SZA says she now finds herself thinking more before she speaks, rather than giving “a hyper-emotional response to topics… which doesn’t really push anything forward”.

She explains: “Because I have a loud voice right now, it’s like, damn I have to be careful what kind of waves I create, or even my own thoughts. Because it’s selfish, you know, to be impulsive.

“And even though it’s also important to have carte blanche and be yourself, I just feel super-connected to to the people that… respect me.”

When we speak, SZA is gearing up for the Grammys, where she’s scheduled to perform for the first time (“I’m actually getting my hair and nails done for Grammys evening as I talk to you, and it’s just bizarre to even think about that happening at all”).

She’s reluctant to spill any gossip about what we should expect from her performance, other than she’s “trying something that I’ve always wanted to try, technologically”, but it’s apparent that this signifies a milestone moment in her career, and it’s something she’s determined not to take for granted.

And that’s without even factoring in that she has five chances to bag an award on the night.

“I would be deeply, deeply honoured,” she says, on the subject of winning, “It would mean that I was on the right track.

“I really think that my whole life I’ve always been checking for a sign that I was on the right track.

“But I feel like even being considered is that sign. So I’m happy already! Man, I’m so grateful. I’m so grateful.

“I feel like everything I’ve done until now has prepared me for this moment, this day, this performance, the experience. So… I don’t know what to tell people, because I don’t even know what to expect. I just… expect for it to be a culmination of all my experiences and everything I’ve learned.”

Still riding the wave of ‘Ctrl’, SZA is already looking ahead to her follow-up release, and outright dismisses the notion that the success of her debut has piled on the pressure over what comes next. In fact, the opposite seems to be true. 

Because I have a loud voice right now… I have to be careful what kind of waves I create.”

While SZA has spoken candidly in the past about how difficult she found the process of making ‘Ctrl’ thanks to her own insecurities and struggles with anxiety, it sounds as though she’s way more fired up this time around.

“I’m committed to making this album the best album of my life,” she says, “I know exactly what I did wrong on [‘Ctrl’] and… nobody knows exactly what they did wrong, but I know what I could have done better and I know exactly what I want to do [now].

“I’m not afraid of the kind of things that I was before, I’m way more excited to make an album than I could have ever been.”

And although it’s the personal nature of her lyrics that have helped launch her success, SZA says she’s taking a more outward approach with her follow-up music and writing from a “different perspective and stream of consciousness”.

“I definitely feel like it’s less [about] how I see what’s happened to me and more how I see what’s happening to the world,” she explains, “I’ve read so many crazy ass stories this year that just broke my heart, like things I just couldn’t believe were happening to people in the world. Kids in the world turning up dead with no addresses… just bizarre things.

“So I’m, like, writing from a perspective of… in and out of it. I have a lot of thoughts that I have to get out.”

But while SZA says that she’s definitely up for “taking more risks” with her music as she moves forward, she balks at the idea that this will be her chance to try and “change minds”.

“You can’t change anyone’s mind about anything,” she insists, “You just have to, like, magnify yourself so you can at least create a ripple.

“And then your ripple does what it’s supposed to do, it affects who it’s meant to affect, it connects, and then spreads to other people. But the idea is not to change anyone’s minds, that’s impossible.”

I’ve done the whole yell at other people to make them feel the way I feel about certain things… and it didn’t really get me anywhere.”

She continues: “I’ve done the whole yell at other people to make them feel the way I feel about certain things, and make them feel stupid about believing what they believe. And it didn’t really get me anywhere.

“I feel like the things that I feel passionately about, I’m down to feel passionately about, publicly, I’m down to be a face, or whatever it calls for, but I don’t feel like I need to design a purpose.

“I feel like everybody has a purpose designed already… you, me, everyone. You just have to really magnify yourself and have that confidence in yourself to really unlock your purpose. And I feel like I just figured out that’s what you’re even supposed to do.”

“So, I don’t even know where I’m supposed to go from here,” she concludes, “But we’ll see.”

Watch the GAP Logo Remix film below:

www.huffingtonpost.co.uk/entry/sza-ctrl-gap-new-album-grammys_uk_5a68c02de4b0dc592a0eb9e1