I sort of see it like Olive Kitteridge, like a long miniseries, four to six hours. It’s still a musical; it’s very much about her. It’s kind of on indefinite hold now because of other projects, but it’s been developed a good deal. It’s darker. It’s about the second half of her life, which is the antithesis of ‘It Gets Better’ videos — for her, it gets worse. My favorite playwright is probably Samuel Beckett and; he was always laughing at the abyss. When Hedwig returns, it will definitely be about the limitation of life and how absurd that is.”