Tag Archives: GLAAD

How to Observe Transgender Day of Remembrance

How to Observe Transgender Day of Remembrance

Transgender Day of Remembrance (TDOR) is an annual observance on November 20 that honors the memory of the transgender people whose lives were lost in acts of anti-transgender violence.

What is Transgender Day of Remembrance (TDOR)?

Transgender Day of Remembrance (TDOR) was started in 1999 by transgender advocate Gwendolyn Ann Smith as a vigil to honor the memory of Rita Hester, a transgender woman who was killed in 1998. The vigil commemorated all the transgender people lost to violence since Rita Hester’s death, and began an important tradition that has become the annual Transgender Day of Remembrance.

How can people recognize TDOR?

GLAAD will be hosting an online vigil on November 20, 2019 at 10am ET/7am PT on Twitter. There are also events hosted across the country in local communities by advocates. 

Importantly, this day is about remembering those who have been lost to anti-transgender violence so learning the names and stories of each transgender person is of highest importance. You can find out more about those lost to anti-transgender violence this year and years past here.

Suggested social copy:

We’re observing Transgender Day of Remembrance, which honors the memory of trans people whose lives were lost in acts of anti-trans violence. #TDOR glaad.org/tdor 

Transgender Day of Remembrance honors the memory of the transgender people whose lives were lost in acts of anti-transgender violence. Learn how you can get involved. #TDOR glaad.org/tdor 

On Transgender Day of Remembrance, we remember the transgender people whose lives have been lost to anti-transgender violence this year and over the years. #TDOR glaad.org/tdor 

Social media graphics can be found at this link

For greater context:

There is an epidemic of violence targeting the trans community (the American Medical Association has declared in 2019) that disproportionately affects Black trans women and trans women of color. This is a disturbing pattern that persists year over year.

GLAAD has been calling on the media for increased and accurate media coverage for years, which mainstream media has finally started doing. Now, the important part comes to shifting the narrative on transgender homicides to more than a number count. Read our guidance on why.

Specific numbers and variation are inevitable due to misreporting, underreporting, or absence of reporting on these crimes. For GLAAD, we list the names of the transgender people whose lives have been lost to anti-transgender violence, so their gender identity was in involved in the cause of their death. We also have listed those whose deaths are still being investigated as possible homicides. 

We recommend for media to use the wording “at least” when referring to the number of deaths because there is no way to count with perfect accuracy given all of the above.

Read this guide to reporting on transgender victims of crime.

November 20, 2019

www.glaad.org/blog/how-observe-transgender-day-remembrance

Student comes out at Christian university with Taylor Swift lip-sync

Student comes out at Christian university with Taylor Swift lip-sync

Reid Arthur and friends during their Taylor Swift lip-sync (Photo: YouTube)

A student has come out in the most public way possible at his Christian university. Reid Arthur attends Oregon’s George Fox University. He and his friends took part in a university lip-sync competition over the weekend.

The friends chose to do a mash-up of Taylor Swift’s songs “You Need To Calm Down” and “…Ready For It”.

Swift’s video for “You Need To Calm Down” was a celebration of her LGBTQ fans and a call for equality. Swift has been a longterm ally of the community and has donated over $100,000 to the Tennessee Equality Project, as well as encouraging her fans to sign petitions demanding equal rights.

Related: High school jock comes out by slow dancing with homecoming king

The lip-sync routine included a particularly eye-catching segment. Arthur takes center stage and his friends grab the sleeves of his sequined jacket. They pull on them to reveal a white top with rainbow ribbons hanging from the sleeves – to the delight of the audience who give a huge cheer.

Re-tweeting a video of the moment, one of those involved, Allie Schluchter (@AllieSchluchter) said: “Tonight I helped one of my favorite people come out, and the love and joy that surrounded this moment is going to stick with me for the rest of my life. I’m so proud of you @reidoburrito95.”

The entire performance has been uploaded to YouTube. Watch below.

The video has prompted appreciative comments from all around the world.

“Reid. You are so brave and I love all of the ways that this represents you and who you are and what you love. Performing and Taylor and friendship and support and love. This is such a special way to show ALL parts of who you are with the world,” commented Kacy Hughson.

“This is AMAZING!,” said Kelley Marchant. “Reid Arthur, you are an AMAZING young man and I’m so glad you had the strength, bravery, and support to do this!”

Related: The Catholic Church forced a public school to paint over a student’s pro-LGBTQ mural

Not only did the routine receive a big cheer from the crowd, but Reid and his friends went on to win the lip-sync competition. According to one person on Twitter, Arthur is to donate $500 prize to GLAAD and the Trevor Project.

This man just came out to our entire private christian university at a lip sync battle to @taylorswift13 You Need To Calm Down, won 500$ and is donating all of it to @glaad & @TrevorProject #ThisIsProgress #LGBTQrights #LoveWins pic.twitter.com/veoAghMbGK

— k???? (@honeyh0neyy) November 17, 2019

The routine caught the attention of the campaigning organization GLAAD, who re-shared the video with the message: “This is EVERYTHING. Thank you, @reidoburrito95! Legendary performance.”

This is EVERYTHING. Thank you, @reidoburrito95! Legendary performance. ???????? t.co/mUHXe6xa1B

— GLAAD (@glaad) November 18, 2019

Others said the performance and the reaction it got from the audience should not be ignored by the University’s authorities – who publicly support the idea that marriage only exists between man and woman.

The community is ready pic.twitter.com/fMjJp6GPdZ

— val ??? (@KayakTotino) November 17, 2019

Queerty has reached out to Arthur for comment.

www.queerty.com/student-comes-christian-university-taylor-swift-lip-sync-20191119?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+queerty2+%28Queerty%29

Tell Me Why is the first major studio game to feature a playable transgender lead character

Tell Me Why is the first major studio game to feature a playable transgender lead character

Xbox Game Studios

Tell Me Why, a new game revealed today at the Xbox X019 celebration in London, promises to set a new standard for transgender representation in gaming. This gripping narrative adventure from DONTNOD Entertainment and Xbox Game Studios will be the first game from a major studio to feature a playable transgender lead character. Check out the trailer below.

Tell Me Why tells the story of Tyler Ronan – a young transgender man – and his identical twin sister Alyson as they uncover mysteries surrounding their loving but troubled childhood in small-town Alaska. Both characters will be playable across the game’s three chapters, which will all be released in the summer of 2020.

Nick Adams, GLAAD’s Director of Transgender Representation, has worked alongside DONTNOD and Xbox Game Studios from early in the game’s development to bring this authentic trans narrative to life. Through consultation in story, dialogue, character design, environmental design, and voice casting, GLAAD and the game’s creators have taken care to ensure that Tyler is a genuine, multi-dimensional character, avoiding the many harmful transgender stereotypes and tropes of the past. Tyler is voiced by out trans actor August Black.

In a statement released by Microsoft today, Nick Adams said, “Microsoft and DONTNOD have approached Tyler with a real commitment to authenticity. Tyler is a fully-realized, endearing character, whose story is not reduced to simplistic trans tropes. Creating a playable lead trans character – and taking such care to get it right – raises the bar for future LGBTQ inclusion in gaming.”

GLAAD will have more to share closer to the release of the game next summer, but are proud to celebrate this announcement. Xbox Game Studios, DONTNOD Entertainment, and GLAAD are excited for players to learn more about Tyler’s story, and we trust that players (both transgender and cisgender) will grow to love Tyler and Alyson as much as we do

November 14, 2019

www.glaad.org/blog/tell-me-why-first-major-studio-game-feature-playable-transgender-lead-character

TV features more LGBTQ characters than ever before

TV features more LGBTQ characters than ever before

Dyllon Burnside as Ricky and Billy Porter as Pray Tell in Pose
Dyllon Burnside as Ricky and Billy Porter as Pray Tell in Pose (Photo: FX Networks)

Campaigning organization GLAAD says US TV is telling more LGBTQ stories and featuring more queer characters than ever before.

The findings came in its annual ‘Where We Are On TV’ report, which it released yesterday.

The report offers a “comprehensive forecast of the lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) characters expected in primetime scripted programming in the 2019-20 television season.”

Related: The world needs a gay superhero more than ever, and it’s about to get one

This is the 24th such report from GLAAD, which four years ago started to analyze original content produced for streaming services such as Netflix, Amazon, and Hulu, besides the major TV broadcast networks and cable.

It says we can look forward to more openly gay and trans characters than ever – thanks to shows such as Pose, The L Word and Batwoman.

Key findings included:

  • Of the 879 series regular characters expected to appear on broadcast primetime scripted programming in the coming year, 90 (10.2%) are LGBTQ. This is a record number and an increase on last year’s 8.8%.
  • In addition to those regular characters, there are another 30 recurring characters, bringing the total number of regular or recurring characters to 120.
  • For the first time, women outnumber men. Of those 120, 53% are women and 47% are men (with one non-binary character).
  • For the second year in a row, people of color (POC) LGBTQ outnumber white LGBTQ (52% over 48%) on broadcast networks.
  • Looking at cable, it found regular and recurring LGBTQ characters increased to 215 – up from 208.
  • Of the cable channels, Showtime comes out on top with 38 regular or recurring characters. The upcoming L Word reboot accounts for a chunk of this number. It was followed by FX and Freeform.
  • On streaming services Netflix, Hulu and Amazon, there are 153 regular or recurring LGBTQ characters. Netflix featured the most amongst its original content.
  • The number of trans characters rose across broadcast, cable, and streaming from 26 to 38.
  • The only slight falls were in bisexual and asexual representation: Bisexual+ characters make up 26% of all LGBTQ characters across all three platforms – a 1% drop on last year.
  • GLAAD noted only one asexual character – down from two last year: This is Todd Chavez on Netflix’s BoJack Horseman.

Although welcoming the findings, GLAAD is calling on the industry to do more. By 2025, it wants to see 20% of series regular characters on primetime scripted broadcast series as LGBTQ. It believes this will better reflect the society in which we live.

It released a survey in 2017 that found 20% of Americans aged 18-34 identified as LGBTQ.

Related: Billy Porter becomes first openly gay, black man to win Best Actor & more queer Emmy moments

Announcing the report, Megan Townsend, Director of Entertainment Research & Analysis at GLAAD, said, “There is still work to be done. On cable TV, just three networks [Showtime, FX, and Freeform] account for 44 percent of all LGBTQ representation on primetime scripted series.

“Similarly, programming from four dedicated producers and creators who prioritize inclusion, Greg Berlanti, Lena Waithe, Ryan Murphy, and Shonda Rhimes, accounts for 14 percent of total LGBTQ characters across broadcast, cable, and streaming originals.

“We hope to see all networks follow their lead, and work towards reflecting the reality of their audience and the culture.”

GLAAD President Sarah Kate Ellis said in a statement, “Shows like ‘Pose,’ ‘Schitt´s Creek,’ ‘Batwoman,’ and ‘Billions’ demonstrate that not only are LGBTQ stories and characters on television becoming more diverse, but also that viewers everywhere continue to respond with extreme positivity.”

www.queerty.com/tv-features-lgbtq-characters-ever-20191108?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+queerty2+%28Queerty%29

GLAAD’s ‘Where We Are on TV’ report shows TV is telling more LGBTQ stories than ever

GLAAD’s ‘Where We Are on TV’ report shows TV is telling more LGBTQ stories than ever

GLAAD

This morning, GLAAD released its annual Where We Are on TV report; a comprehensive forecast of the lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) characters expected in primetime scripted programming in the 2019-20 television season. This is the 24th year GLAAD has tracked the presence of LGBTQ characters on broadcast and cable television, and the 15th Where We Are on TV report. Four years ago, GLAAD expanded its count to additionally quantify LGBTQ characters on original series that premiere on the streaming content providers Amazon, Hulu, and Netflix.

Of the 879 series regular characters expected to appear on broadcast primetime scripted programming in the coming year, 90 (10.2 percent) were counted as LGBTQ. This is the highest percentage of LGBTQ regular characters GLAAD has counted on primetime scripted broadcast programming, and up from the previous year’s 8.8 percent. Last year, GLAAD called on the broadcast networks to ensure that 10 percent of primetime broadcast scripted series regulars were LGBTQ by 2020. In just one year, the networks met and exceeded this call.

 

VIEW THE FULL REPORT HERE

 

There were an additional 30 recurring LGBTQ characters on broadcast. This is 120 total LGBTQ regular and recurring characters on primetime scripted broadcast TV, up from the previous year’s 113. The five broadcast networks are ABC, CBS, The CW, FOX, and NBC. The CW counts the highest percentage of LGBTQ series regulars of all series regulars at 15.4 percent.

Notably for the first time this year, LGBTQ women on primetime broadcast scripted series outnumber LGBTQ men on those programs. Of the 120 LGBTQ characters on broadcast, 53 percent are women and 47 percent are men. There is one non-binary character on broadcast. Additionally, this is the second year in a row on broadcast where LGBTQ people of color outnumber white LGBTQ people, 52 percent to 48 percent.

GLAAD is calling on the industry to make sure that 20 percent of series regular characters on primetime scripted broadcast series are LGBTQ by 2025. Further, we would challenge all platforms – broadcast, cable, and streaming – that within the next two years, at least half of LGBTQ characters on each platform are also people of color. This is an important next step towards ensuring that our entertainment reflects the world in which it is created and the audience consuming it.

GLAAD and Harris Poll’s Accelerating Acceptance study shows that 20 percent of Americans aged 18-34 are LGBTQ. And this applies across demographics – the General Social Survey from NORC at the University of Chicago this summer found that 23 percent of Black women in America 18-34 identify as bisexual, and the University’s GenForward survey reports that 1 in 5 Latinx Millennials are LGBTQ.

“Last year, GLAAD called on the television industry to increase the number of LGBTQ characters and more accurately reflect the world we live in, and they responded by exceeding this challenge,” said Sarah Kate Ellis, President & CEO of GLAAD. “At a time when the cultural climate is growing increasingly divisive, increased representation of LGBTQ stories and characters on television is especially critical to advance LGBTQ acceptance. Shows like Pose, Schitt’s Creek, Batwoman, and Billions demonstrate that not only are LGBTQ stories and characters on TV becoming more diverse, but that viewers everywhere continue to respond with extreme positivity.”

The number of LGBTQ regular characters counted on cable increased from 120 last year to 121 this year, while recurring LGBTQ characters is up from 88 to 94. This is 215 regular and recurring LGBTQ characters, though it should be noted that 48 of these characters are not expected to return for the 2020-21 season due to series cancellations, announced finales, or characters being written off but who appeared as a regular or recurring character during the research period.

On cable, Showtime is the most LGBTQ-inclusive network with 38 regular and recurring LGBTQ characters expected on the network’s primetime scripted series. The majority of those characters will appear on the upcoming The L Word: Generation Q. FX is next at 31 LGBTQ characters, and Freeform following with 26. These three networks together account for 44 percent (95 characters) of all LGBTQ representation in primetime scripted cable, and 15 of the 20 transgender characters (75 percent) on cable.

On scripted streaming originals on Amazon, Hulu, and Netflix, LGBTQ regular characters are up with 109 (from 75) and an additional 44 recurring. This is 153 total LGBTQ characters expected on scripted streaming originals.

The number of transgender characters is up this year, from 26 to 38 characters across broadcast, cable, and streaming. Of those 38 characters, 21 are transgender women, 12 are transgender men, and five are non-binary characters. This reporting season also notes a historic first: Brian Michael Smith has become the first Black transgender man to be cast as a series regular in primetime scripted broadcast for his role on the upcoming 9-1-1: Lone Star. His character, firefighter Paul Strickland, will also be primetime scripted broadcast TV’s first series regular Black trans man character.

While the number of bisexual+ characters totaled across broadcast, cable, and streaming is slightly up this year (to 128 from 117), the overall percentage actually dropped one point to 26 percent of the total 488 LGBTQ characters. GLAAD counted 90 women, 36 men, and two non-binary people as bisexual+. Bisexual+ people (an umbrella term which can include those who identify as bisexual, pansexual, fluid, queer, and more) actually make up the majority of the community. UCLA’s Williams Institute reports that bisexual people make up 52 percent of lesbian, gay, and bisexual people in America.

There is only one asexual character counted in this year’s report, Todd Chavez on Netflix’s BoJack Horseman. The show will air its final episodes within this reporting season, so we hope to see other networks and streaming services step up in this area.

Other encouraging findings include a record-high percentage of series regulars on broadcast television who are people of color (47 percent, 409 out of 879), a record-high percentage of women who are series regulars on broadcast television (46 percent, 402 of 879), as well as a record-high percentage of regular characters with disabilities on broadcast television (3.1 percent).

“This year’s Where We Are on TV study found great progress towards a more LGBTQ-inclusive television landscape, and highlighted welcome increases of transgender men and queer women in upcoming programing,” said Megan Townsend, Director of Entertainment Research & Analysis at GLAAD. “However, it is also important to note that there is still work to be done. On cable TV, just three networks account for 44 percent of all LGBTQ representation on primetime scripted series. Similarly, programming from four dedicated producers and creators who prioritize inclusion, Greg Berlanti, Lena Waithe, Ryan Murphy, and Shonda Rhimes, accounts for 14 percent of total LGBTQ characters across broadcast, cable, and streaming originals. We hope to see all networks follow their lead, and work towards reflecting the reality of their audience and the culture.”

Key findings include:

  • The report found a record-high percentage of Latinx series regulars (up to 9% from 8%), as well as a record-tying number of Black (held steady at 22%), and Asian Pacific Islander series regulars (held steady at 8%) across broadcast television regular characters.
  • Of the 879 series regular characters scheduled to appear on broadcast scripted primetime television this season, 90 (10.2%) are LGBTQ. There are an additional 30 LGBTQ recurring characters.
  • Of the 488 total regular and recurring LGBTQ characters on scripted primetime broadcast, cable, and streaming programs, only 38 (8%) are transgender, and they appear on only 28 shows.
  • Bisexual+ characters make up 26% of all LGBTQ characters across all three platforms. This is a one percent decrease from last year, and far from the reality that bisexual+ people make up the majority of the community.
  • Netflix again counts the highest number of LGBTQ regular and recurring characters on their scripted originals among streaming services tallied, while Showtime is the most LGBTQ-inclusive network on cable. The CW is again the most LGBTQ-inclusive broadcast network, with 15.4% of series regulars counted as LGBTQ.
  • GLAAD found 109 regular LGBTQ characters on original scripted series on the streaming services Amazon, Hulu, and Netflix, an increase of 34 from last year’s tally. There are an additional 44 recurring LGBTQ characters, an increase of seven from last year. This is a total of 153 LGBTQ characters.
  • GLAAD found 121 regular LGBTQ characters on primetime scripted cable series, an increase of one from the previous year. There are an additional 94 reccuring LGBTQ characters, up from 88 in last year’s report. This is 215 regular and recurring LGBTQ characters expected on primetime scripted cable series.
  • Broadcast hits a new record high percentage: 46% of regular characters counted on broadcast primetime television were women. This is up three percentage points from last year and a record high, but still underrepresents the reality that women make up 51% of the U.S. population.
  • This year, there is only one asexual character counted across all platforms, (Todd Chavez on Netflix’s BoJack Horseman). This is a drop from two asexual characters last year.
  • The percentage of regular characters with a disability on broadcast is up to 27 characters or 3.1 percent. This is the highest percentage GLAAD has found, but still falls short of the U.S. population of people with disabilities.

GLAAD’s annual Where We Are On TV report not only propels national conversations about LGBTQ representation, but informs GLAAD’s own advocacy within the television industry. GLAAD uses this yearly data to create a clearer picture of the stories and images being presented by television networks, and to work alongside the networks and content creators to tell fair, accurate, and inclusive LGBTQ stories on screen.

Join the conversation by following @glaad on Twitter, and using the hashtag #RepresentationMatters. Read the full 2019-20 Where We Are on TV report at glaad.org/whereweareontv.

November 7, 2019

www.glaad.org/blog/glaads-where-we-are-tv-report-shows-tv-telling-more-lgbtq-stories-ever

EXCLUSIVE: Ellen DeGeneres, “Queer Eye” and “Orange Is The New Black” get the Dr. Seuss treatment for Netflix’s “Green Eggs & Ham”

EXCLUSIVE: Ellen DeGeneres, “Queer Eye” and “Orange Is The New Black” get the Dr. Seuss treatment for Netflix’s “Green Eggs & Ham”

In honor of its new Ellen DeGeneres-produced series Green Eggs and Ham (based on the 1960 Dr. Seuss book by the same name), Netflix is releasing a set of LGBTQ-themed parody art for the series, with references to iconic LGBTQ celebrities and shows including Queer Eye, Orange is the New Black, and Ellen DeGeneres herself…and GLAAD has your first look!

The story of Green Eggs and Ham is like a postmodern Planes, Trains and Automobiles through the whimsical world of Dr. Seuss. Sam rescues the rare Chickeraffe from the Glurfsburg Zoo, hides it in a briefcase, and attempts to make his way to Meepville where he can charter a cold air balloon to take the Chickeraffe to his island home.

Green Eggs and Ham premieres November 8th on @netflix, so this week:

 @TheEllenShow is now Eggen
 @QueerEye is now Queer Egg
 @OITNB is now Green is the New Black pic.twitter.com/4A7PD1UzVp

— GLAAD (@glaad) November 5, 2019

 

Check out the new trailer for the series below:

The series is executive produced by Ellen DeGeneres, with characters voiced by stars including Adam Devine, Michael Douglas, Ilana Glazer, Diane Keaton, Keegan-Michael Key, Eddie Izzard, Jeffrey Wright, Jillian Bell, John Turturro, Tracy Morgan and Daveed Diggs.

Green Eggs and Ham will be available for streaming worldwide on Netflix on November 8.

November 5, 2019

www.glaad.org/blog/exclusive-ellen-degeneres-%E2%80%9Cqueer-eye%E2%80%9D-and-%E2%80%9Corange-new-black%E2%80%9D-get-dr-seuss-treatment-netflix%E2%80%99s-

How I became aware – and proud – of my asexual identity

How I became aware – and proud – of my asexual identity

Content Warning: This article includes mentions of sex, but no graphic or explicit descriptions. Note: All descriptions of asexuality presented in this piece are defined by the author. Click here to learn more about asexuality from Asexual Visibility and Education Network (AVEN)

Growing up, like many kids, I was often confronted with sex and sexuality in ways that perplexed me. My siblings and I would often talk about celebrities: their looks, their lives, and who are crushes were. My sisters would all gush about boys they found attractive, even when these men were easily twice our age. I was baffled. I didn’t know these people. How on earth could I possibly be attracted to them?

Then when I came out to my parents as pansexual in high school, my mom’s reaction was to ask how I could possibly enjoy sex lots of “different ways.” My face turned bright red, and I stammered, hastily assuring her this had absolutely nothing to do with sex, but that I just felt the same way about people of all genders. And whenever I went to the mall with friends or family, I would determinedly avoid looking at the Victoria’s Secret window. The lacy lingerie on display made me incredibly uncomfortable, as if I was looking at a naked body, some sexual secret that I didn’t want to be a part of.

It wasn’t until I was in college, and dating an asexual person, that I finally acknowledged my sexuality. We had a long discussion one night in May of my freshman year, and everything I had been keeping hidden since eighth grade came bubbling to the surface: I had never experienced sexual attraction.

As an outspoken queer person and activist, I was ashamed that it had taken me so long to realize this. Why? The answer was simple: I had no information on the intricacies of the asexual spectrum, and I was confusing sex drive for sexual attraction.

Explore the spectrum: Guide to finding your ace community#AceWeek #AceAwarenessWeek t.co/gk4M1nwHVF

— GLAAD (@glaad) October 22, 2019

Since that initial conversation, I’ve had to reevaluate everything I thought I knew about sex, sexual attraction, and everything in between. Since I assumed that my experience was allosexual (the opposite of asexual; someone who experiences full sexual attraction), I now had to learn about a world that I had no clue existed.

An asexual person experiences a lack of sexual attraction, and the asexuality spectrum refers to the full range of individuals under the asexual umbrella, including but not limited to, identities such as greysexual and demisexual, who may experience little to no sexual attraction. Well, that’s all fine and dandy, but what even is sexual attraction?

Sexual attraction is a form of attraction in which someone finds another person sexually appealing, becomes “turned on” by that person’s physical appearance or qualities, and wants to engage in sexual activities with them due to their “erotic appeal.”

That’s great, now what about sex drive? I have a high sex drive, and that factor stopped me from learning more and accepting my asexuality for many years. Sex drive (libido) is the physical state of wanting or not wanting sex in general. Just because someone has a high sex drive and wants to engage in sex often (in theory), doesn’t mean they are willing to have sex with anyone and everyone they see. Likewise, someone could be sexually attracted to their partner, but have a low sex drive, and not want to have sex often, even though the attraction does not diminish.

#AceWeek is a prime time to learn about asexuality and the related topics of romantic orientation and relationship types.t.co/TvU4HMZVx5

Dictionary.com (@Dictionarycom) October 23, 2019

Representations of asexual people (refering to all people on the asexual spectrum) are few and far between. This lack of representation can lead to negative stereotypes, such as assuming that the community is incredibly homogenous, with all of us hating sex and being anti-sex. This could not be farther from the truth. The ace community is just as diverse as any group in terms of attitudes towards sex.

Two scales are often conflated with each other, and that is: general attitudes towards sex and personal attitudes towards sex. When thinking about sex in general, one can range from being sex positive (believing sex to be something that people should be free to engage in if they so choose); to advocating for sexual freedom; to being sex negative (believing that sex is a bad and evil act that should not be engaged in or talked about.) A sex neutral individual has no stance on the matter or is indifferent.

When thinking about attitudes towards sex personally, the scale ranges from sex favorable (desiring to have sex, finding pleasure and enjoyment from sex), to sex neutral (indifference towards sex, would be okay having or not having sex); to sex repulsed (finding the act of sex personally unfavorable, regardless of general feelings towards sex: a strong desire not to engage in sexual actions.)

An asexual person could be sex repulsed, and have zero desire to engage in sex. They could be sex neutral, and would not initaite sex for pleasure, but might enjoy being able to please their partner. An asexual person could also be sex favorable, have a high sex drive, and desire sex often. All of these descriptions, as well as everything in between, are equally valid representations and ways to be ace. None of these attitudes and actions would make anyone less ace.

I am asexual, I have a high sex drive, and I am sex favorable. My partner is also ace. We have sex relatively frequently, and this baffles most allosexual people we talk to. How on earth can we enjoy sex if we’re asexual?

Having sex is one of many intimate acts between me and my partner, just like sharing secrets or breaking down in front of them. It is emotional, and it is physical, but it is not sexual. I am not turned on by my partner’s naked body. Thinking of them does not make me want to have sex. To me, sex is not sexual. It is simply one experience of many that I engage in.

Many asexual people do not like having sex. However, some do and some have no preference. It is ludicrous to always ask that ace people reveal their sex lives, histories, and preferences over and over again just because it is harder to understand. We owe no one anything—not sex, not explanations, not a detailed infographic explaining our personal journey and attitudes.

Asexual people are simply those who experience little to no sexual attraction. That statement alone has no effect on or relation to: how many people we’ve had sex with, whether we like sex, our libido, our ways of dressing, or anything else. Asexuality is natural, and there is nothing wrong with us or our bodies. We are here, we are queer, and we are diverse. There is no gender, no race, no ability status, no language, no class, no body type that is the “standard” asexual look. We are many, and we are one. To all my a-specs reading this: you are loved, you are valid, you are real. Go, be proud.

Sage Skyler is a GLAAD Campus Ambassador and sophomore at Connecticut College. On campus, they are a mentor in the QueerPeer program, a graduate of the Student Support Network initiative, and part of SafetyNet, a group of peer educators about sexual violence. They are also a published writer and TEDx speaker, and pursue queer activism in everything they do. 

October 28, 2019
Issues: 

www.glaad.org/amp/proud-asexuality-awareness-week-2019

HBO’s Mrs. Fletcher partners with GLAAD for three-day West Hollywood pop-up exploring sexual liberation and gender identity

HBO’s Mrs. Fletcher partners with GLAAD for three-day West Hollywood pop-up exploring sexual liberation and gender identity

Credit: Getty Images

HBO’s new limited series Mrs. Fletcher, which premieres on October 27, has partnered with GLAAD for an exclusive three-day pop-up experience in West Hollywood exploring gender identity, sexual liberation, and more. GLAAD is HBO’s charitable partner for the pop-up experience, with part of the funds from the event going towards GLAAD’s ongoing LGBTQ advocacy efforts. 

 

The experience kicked off on Thursday night with an interview between actress, activist, writer, and producer Jen Richards and GLAAD’s Associate Director of Transgender Representation Alex Schmider. Richards stars in Mrs. Fletcher as Margo, a creative writing professor who, like Richards, is a transgender woman. In the interview, Richards spoke to Schmider about the process of joining Mrs. Fletcher, how she helped to shape the character of Margo, and how she continues to use her platform to ensure that writers are more inclusive and accurate in their storytelling.

The pop-up experience, which takes places from October 25-27, includes various LGBTQ-inclusive panels focused on gender identity, sex, sexuality, and sensuality. See more details about the panels and events below. To RSVP for one of the weekend’s inspiring conversations, engaging panels, and additional events, click here.

Starring Kathryn Hahn in the title role, Mrs. Fletcher is based on the bestselling novel of the same name by Tom Perrotta. The show is a dual coming-of-age story, exploring the impact of internet porn and social media on the lives of Eve Fletcher, an empty-nest mother, and her college freshman son. The cast also includes Jackson White, Owen Teague, Katie Kershaw, Domenick Lombardozzi, Cameron Boyce, Jen Richards and Casey Wilson.

Mrs. Fletcher premieres on HBO on October 27 at 10:30pm ET. 

October 25, 2019

www.glaad.org/blog/hbo%E2%80%99s-mrs-fletcher-partners-glaad-three-day-west-hollywood-pop-exploring-sexual-liberation-and

GLAAD calls on media to keep spotlight on most vulnerable immigrants, including transgender asylum seekers

GLAAD calls on media to keep spotlight on most vulnerable immigrants, including transgender asylum seekers

Diversidad Sin Fronteras

According to news reports in CNN and BuzzFeed, Immigration and Customs Enforcement (ICE) agency within the Trump Administration may have deleted critical surveillance video that would have helped tell the story of the last few days of Roxsána Hernández, a transgender Honduran woman and asylum seeker who died in ICE custody. Roxsána’s attorneys argue that various transfers to different facilities without providing HIV treatment or taking note of her deterioration contributed to her death. Video footage was a vital key that would have helped with the investigation.

“Her need for medical attention was obvious, it was documented, and it was life threatening, and the records we have to date indicate that ICE officials knew those three things and decided to transfer her,” said Andrew Free, an attorney representing the family, to BuzzFeed News. “If DHS cannot be trusted to play by the rules, both before and after a detained migrant’s death based on these records, how can DHS be trusted to continue imprisoning migrants at all?”

“The LGBTQ community and other communities demand transparency from government entities that are funded by our tax dollars. We should never punish immigrants seeking safety, including LGBTQ asylum seekers, by housing them in unsafe conditions or keeping critical medical treatment from them,” said Monica Trasandes, Director of Spanish Language and Latinx media Representation for GLAAD. “The media is necessary to bring awareness and accountability when it is lacking from the government.”

This story offers a vivid and heartbreaking account of what Roxsána and other transgender women like her face while fleeing to the United States and away from unsafe living conditions. LGBTQ activists like GLAAD have argued that far too many already vulnerable people are being unnecessarily placed in dangerous situations as they wait for their hearings.

October 25, 2019

www.glaad.org/blog/glaad-calls-media-keep-spotlight-most-vulnerable-immigrants-including-transgender-asylum

+Life counters HIV stigma with powerful new weekly video series

+Life counters HIV stigma with powerful new weekly video series

Credit: +Life

+Life is a new digital lifestyle brand which focuses on combating the stigma facing those living with HIV. Available on Facebook, Twitter, Instagram, and at PlusLifeMedia.com, +Life is produced by AOMEDIA and provides original content that shatters stereotypes, myths and inaccuracies about living with HIV. The +Life team will be working with GLAAD on upcoming videos and has already attended several GLAAD events where they have brought up much needed discussions of HIV.

The creation of +Life was inspired by Karl Schmid, an internationally known entertainment reporter who has been a featured talent on leading networks including KABC, ABC.com, TLC and Logo, as well as on programming in his native Australia. Schmid opened up about his own HIV-positive status in a Facebook post in 2018. Schmid serves as +Life’s editorial director, and will use the platform to continue sharing his message and educating others on the realities of living with HIV.

+Life launched with an original weekly video series called “+Talk.” Hosted by Schmid, it features honest conversations and empowering information around topics like the recent undetectable = untransmittable public education work. New content will be added regularly across social media channels, with +Talk episodes available on Facebook and YouTube.

“I kept my diagnosis secret for 10 long years because some well-meaning people I trusted told me that revealing my status would ruin my career. Did I really want to be known as ‘the guy on TV with AIDS?’ Then one afternoon while scrolling through The AIDS Memorial Instagram account, I was inspired to overcome my fear, and decided to share my positive status,” said Schmid. “I was amazed at the overwhelming support I immediately received from loved ones and strangers around the world, and my hope for +Life, is that it helps others learn they too, have the freedom to live and love proudly, and help change stigma-induced fear common among those living with the disease in private. A positive HIV status is not something that should hold anyone back from achieving their dreams and living life to its fullest potential.”

More than 37 million people globally are living with HIV today. Today, people who have HIV and engage in proper medical treatment can’t pass it on and live long, healthy, and productive lives, however, stigma remains and impacts access to health care, employment, and community.

+Life has plans for additional programming including interviews with newsmakers and activists, as well as relaying the latest in practical medical information. +Life will also address topics related to sex, dating and relationships, from the perspective of people living with HIV and their partners.

“+Life is for those living with HIV, the people who support them, and anyone at risk of contracting the disease – which is everyone,” said Executive Producers Brent Zacky and Michael Spierer, AOMEDIA. “Fear and lack of information can literally be a death sentence for people who do not get tested or are afraid to seek treatment. Our goal is to entertain while we educate, building a community and providing the facts everyone needs to lead happy, healthy, complete lives.”

October 23, 2019

www.glaad.org/blog/life-counters-hiv-stigma-powerful-new-weekly-video-series