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Bradley Cooper & Betty White Made Out During 'SNL 40'

Bradley Cooper & Betty White Made Out During 'SNL 40'
Taylor Swift, Kerry Washington, Kristen Wiig, Bill Hader, Laraine Newman, Kenan Thompson and Vanessa Bayer all appeared during the all-star “Californians” sketch on “SNL 40,” but it was this moment where Bradley Cooper made out with Betty White that stole the entire thing. Watch forever below.

Told ya this was going to be a historic night. #SNL40
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— Saturday Night Live (@nbcsnl) February 16, 2015

www.huffingtonpost.com/2015/02/15/bradley-cooper-betty-white-snl-40_n_6689638.html?utm_hp_ref=gay-voices&ir=Gay+Voices

Movie Review: '50 Shades of Grey'

Movie Review: '50 Shades of Grey'

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What should Jamie wear today? Nothing! All his clothes are the same anyway 

BY NATHANIEL ROGERS 

SPOILER ALERT: Nothing happens in 50 SHADES OF GREY. Nothing at all. The property’s idiot savant genius may be how well it achieves this tabula rasa narrative and aesthetic zen state. Its slate is so blank that the audience is free to project whatever they’d like on to it including the drama. BYOE: Bring Your Own Everything. Perhaps this accounts for its enormous “event” like status at the box office. 

We begin with an embarrassingly botched interview between a young woman who we’re supposed to think of as a frumpy plain jane, an unstylish deer in the headlights if you will, and the snappily dressed über intimidating businessperson who will decide her fate. (Think The Devil Wears Prada plus sexual tension minus jokes). Naive and beautiful young Anastasia Steele (Dakota Johnson), her name apparently downloaded from a romance novel generator, has gone to see the young billionaire Christian Grey (Jamie Dornan) but she’s not actually supposed to be there. She’s doing it as a favor for her sluttier worldly BFF Karla (think streetwise Kit to impossibly virginal hooker Vivian in Pretty Woman) who happens to be sick on the day of her interview with the college’s most successful alumnus/eligible bachelor. 

So our leads meet quite by accident. Is it fate? Will it get kinky? ANSWERS AFTER THE JUMP..

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In the movie’s first unintentional laugh (of many) we learn that Ana, who has great difficulty with Karla’s simple written questions, as if she’s just now learning that those funny scratch marks on papers form “words”, is in fact a literature major. Though Ana is an awkward and absolute bust as a journalist, and Mr Grey is an overachiever with zero-percent body fat who appears to have no patience for fools and reminds her that she has just 10 minutes, he falls hard and instantly. Do not search for a reason! (Provide your own as befits the BYOE ethos).

My best guess, and only because he mentions it, is that Christian likes the way Ana bites her lip. This lip nibbling is her one defining affectation. (If you took a shot each time she does it — and it’d be wise to sneak drinks in — you’d be drunk before the first sex scene.) But mostly Ana has no defining characteristics besides her naiveté and lip-biting. She’s the perfect blameless empty vessel heroine in which the audience may flatteringly place themselves. In fact, the only thing non-generic about Dakota Johnson in the starring role is how instantaneously she recalls both of her famous parents: she looks like Daddy Don Johnson and sounds quite a lot like Mommy Melanie Griffith. Miraculously in a casting coup, she could also pass for the genetic offspring of her screen mother Jennifer Ehle.

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Jennifer Ehle and her counterpart Marcia Gay Harden, both ever dependable character actresses, have more fun than you’d expect as Ana and Christian’s moms, respectively, considering that they’re given next to nothing to work with. This movie is a conflict-free zone. Multiple scenes that in a normal movie might signal  “forthcoming drama!” like episodes wherein Christian meets Ana’s family and friends or when Christian introduces Ana to his mother, just recede as they’ve begun like innocuous commercial breaks between sex scenes.

Even in the sex scenes, conflict is hard to come by. And conflict is the life blood of storytelling.

Like Mr. Grey’s glassy stark office and gorgeous minimalist home, both photoshoot ready as if no one has ever touched anything except to remove the price tags, the sex scenes are drained of humanity. It’s impossible to imagine these bodies sweating or producing fluids of any kind. The movie is so sterile that you could quite reasonably and safely perform  operations in Christian’s “playroom” which looks more like a well stocked catalogue for S&M merchandise than a room where dozens of women have been tied up and pleasured over the years.

Given that the story IS the affair, one would hope for some escalation of effect. Perhaps the sex scenes will grow raunchier, more risqué, increasingly nude, or more dangerous feeling as the movie progresses? No such luck.

Each heavily cut sex scene progresses in basically the same way: Christian strips Ana bare, binds her hands and/or instructs her to hold them up away from the action, and pleasures her intensely (implied multiple orgasms) with either his mouth or penis (both out of frame) or with very light toy play like slowly dragging across her body. Dornan’s perfect ass gets a beautiful cameo and a suggestive thrust or two. In the theater in which I saw the film only one shot from the movie’s multiple sex scenes elicited a small gasp from the crowd and that was a quick flash cut to Mr. Grey unbolting his pants for a very brief shot of pubes and the top of his shaft. After the movie I heard a group of girlfriends (with one guy) laughing about this shot, calling it “dick cleavage” and hoping it would become a trend in more movies. (Good luck with that. In Hollywood men are far more likely to have superpowers.)

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Most of the film turns out not to be a sex movie but a largely innocuous wealth fantasy: Date Night With the Billionaire: The Movie. Christian wines and dines Ana, takes her on adventures, buys her expensive gifts, introduces her to his family, and occasionally makes love to her. When he’s not doing any of those things he’s constantly telling her that “I don’t do romance. I don’t date.” and “I don’t make love, I fuck”  I could never claim to be an expert on dating, romance or sex (been off the market too long) but unless things have changed drastically since I met my boyfriend, Christian is really really confused about what all of those words mean.

Christian’s only character flaw apart from this constant word confusion — he’s gorgeous, considerate, well educated, superhero-wealthy, romantic, plays the piano!, and is obviously a great lay — is that he pretty consistently informs his new girlfriend that he wants her to sign a dominant/submissive contract and basically own her body. Which is…okay, owning people is wrong. That’s a deal breaker, ladies. But since Christian takes Ana into his playroom (where all his S&M gear is) pretty consistently throughout the movie and does nothing but pleasure her, what is it exactly that she’s objecting to? 

At one point late in the movie, we realize along with Ana that Christian would like to spank her or some such and she asks him not to hold back. It’s the only way she’ll understand! Cut to: Christian flogging her extremely briefly — and with far less force than you’ve ever seen anybody hit anybody else on a movie screen — and Ana crying with disgust like this was the unforgivable final straw after all those multiple orgasms and expensive gifts. She wants no part of this well appointed surgically clean ultra safe freakshow!

They break up! OR DO THEY…?

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I am embarrassed to report that I was so unaware of the 50 Shades of Grey phenomenon apart from its title, basic premise and popularity that I didn’t realize until after the movie ended that it’s meant as a franchise rather than a standalone; the movie’s cockteasing suddenly made sense. I wish I could report that 50 Shades of Grey was so bad it’s good but it’s too dull for that. “Bad movie we love” cult status will be hard to achieve unless the sequels are funnier/worse. In fact, only one scene seems to rise to the camp challenge. The movie’s inarguable high point is a protracted “business meeting” between Christian and Ana about their forthcoming sex. She keeps giggling, as if she can’t quite take it seriously (join the club, Ana!) and he is all business. It’s also here where we get the movie’s most hilarious dialogue.

“Genital clamps? Under no circumstance!” and the instant classic: “What are butt plugs?”

Aside from the camp value of this one scene and hilariously “subtle” details like Ana’s oral fixation with a pencil with the “Grey” logo on it, it’s just not dramatic enough to get away with its tame sex and not sexy enough to get away with its tame drama and not funny enough to get away with its stalling. It’s not a movie with a story so much as a dull PG-13 pilot which is introducing all the characters who may or may not have conflicts with each other in some future movie… if you keep buying tickets. HBO and Showtime would probably turn it down for its tameness preferring to stick with the far more explicit and provocative sex scenes in Looking, The Affair, Game of Thrones, Masters of Sex, and so on. 

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Nathaniel Rogers would live in the movie theater but for the poor internet reception. He blogs daily at the Film Experience. Follow him on Twitter @nathanielr.


Nathaniel_R

www.towleroad.com/2015/02/movies-50-shades-of-grey.html

Florida Ex-Deputy Accused of Sexually Assaulting Male Undocumented Immigrants Sentenced to Five Years

Florida Ex-Deputy Accused of Sexually Assaulting Male Undocumented Immigrants Sentenced to Five Years

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Jonathan Bleiweiss, a former Broward County, Florida sheriff’s deputy, has been sentenced to five years in prison for allegedly sexually assaulting a number of undocumented male immigrants. Bleiweiss is thought to have used his authority as a police officer to coerce twenty different men into various sexual acts under threat of arrest and deportation.

Bleiweiss, who was well recognized and celebrated within the community, was originally arrested in 2009, though the rumors of his abuse first surfaced back in 2008. As word spread of the officer’s excessively aggressive pat-downs, pictures of his face began circulating through the immigrant community along with warnings to stay away from him.

Not long after Bleiweiss was suspended from the Sheriff’s office and he was subsequently arrested. According to the Sun-Sentinel in the weeks following Bleiweiss’s initial arrest, some 70 charges were eventually leveled against him from a number of different men. Bringing a case against Bleiweiss proved to be difficult given the specific circumstances under which many of the men claimed to have been harassed.

A number of lawsuits against Bleiweiss were settled, while others were dismissed. The bulk of the cases that would have resulted in significant jail time for Bleiweiss fell apart, however, due to witnesses being deported or too afraid to come forward and testify for fear of deportation.


Charles Pulliam-Moore

www.towleroad.com/2015/02/florida-immigration-sexual-asault-2.html

Roy Moore Tries to School President Obama on the Legality of Gay Marriage in Alabama: VIDEO

Roy Moore Tries to School President Obama on the Legality of Gay Marriage in Alabama: VIDEO

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Alabama Chief Justice Roy Moore appeared on Fox News Sunday with Chris Wallace today to discuss same-sex marriage’s arrival in Alabama. While Moore spent most of the interview attempting to explain the legal underpinnings of his continued fight against marriage equality, he also had a response message for President Obama – who spoke up about the reincarnated George Wallace during a recent Buzzfeed interview.

Said Moore:

“But what this Harvard professor who is president of the United States does not understand, is that a trial court’s decision on the constitutionality of a federal question is just that — it’s an opinion. It may be law of the case before her. It is not overturning the Alabama constitution. Federal law is not made by judges.”

Wallace also asked Moore whether or not he would abide by the Supreme Court should it decide this year that there is a constitutional right to same-sex marriage. 

Watch, AFTER THE JUMP

 


Kyler Geoffroy

www.towleroad.com/2015/02/moore_obama.html

'Fifty Shades Of Grey' Whips Up Record-Breaking Weekend Box Office Debut

'Fifty Shades Of Grey' Whips Up Record-Breaking Weekend Box Office Debut
LOS ANGELES (AP) — Audiences were more than curious to check out the big-screen adaptation of the racy phenomenon “Fifty Shades of Grey” this weekend. The erotic R-rated drama sizzled in its debut, earning an estimated $81.7 million from 3,646 theaters in its first three days, distributor Universal Pictures said on Sunday.

In addition to destroying Valentine’s and President’s Day weekend records, “Fifty Shades of Grey” has also become the second-highest February debut ever, behind “Passion of the Christ’s” $83.9 million opening in 2004. The chart-topping film cost a modest $40 million to produce. Starring Dakota Johnson and Jamie Dornan as Anastasia Steele and Christian Grey, it could be on track to earn over $90 million across the four-day holiday weekend.

According to Universal, North American audiences were 68 percent female.

Internationally, director Sam Taylor-Johnson’s adaptation of E L James’ book earned an estimated $158.3 million from 9,637 locations in 58 territories. That’s the second biggest international opening for Universal, right behind the $160.3 million debut from “Fast & Furious 6,” and the highest international opening for an R-rated film ever.

Director Matthew Vaughn’s “Kingsman: The Secret Service” also exceeded expectations, landing in second place with an estimated $35.6 million from 3,204 locations across the three-day, according to box office firm Rentrak.

The R-rated comic book adaptation starring Colin Firth and Samuel L. Jackson cost a reported $81 million to produce and should earn around $41 million across the four-day period.

Animated children’s film “The SpongeBob Movie: Sponge Out of Water” came in third with $30.5 million in its second weekend in theaters, falling only 45 percent. As one of the few family-friendly options in theaters, Paramount’s PG-rated movie could pass $100 million by the end of the holiday weekend.

Rounding out the top five were holdovers “American Sniper,” with $16.4 million, and “Jupiter Ascending,” with $9.4 million.

The Oscar-nominated “American Sniper,” now in its fifth weekend of wide release, has earned over $300 million in North America to date.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Final domestic figures will be released Tuesday.

1. “Fifty Shades of Grey,” $81.7 million.

2. “Kingsman: The Secret Service,” $35.6 million.

3. “The SpongeBob Movie: Sponge Out of Water,” $30.5 million.

4. “American Sniper,” $16.4 million.

5. “Jupiter Ascending,” $9.4 million.

6. “Seventh Son,” $4.2 million.

7. “Paddington,” $4.1 million.

8. “The Imitation Game,” $3.5 million.

9. “The Wedding Ringer,” $3.4 million.

10. “Project Almanac,” $2.7 million.

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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

www.huffingtonpost.com/2015/02/15/fifty-shades-of-grey-box-office_n_6687954.html?utm_hp_ref=gay-voices&ir=Gay+Voices

LGBT Activists Stage Valentine's Day Protests In Arkansas, Kansas: VIDEO

LGBT Activists Stage Valentine's Day Protests In Arkansas, Kansas: VIDEO

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It used to be a tradition for same-sex couples to protest marriage bans on Valentine’s Day — often by requesting licenses from clerk’s offices. 

But now that marriage equality has arrived in 37 states, the focus has shifted. 

Instead of seeking legal recognition of their relationships, LGBT people are demanding that they be protected against discrimination based on who they are and who they love. 

On Saturday, activists in Arkansas and Kansas spent part of their Valentine’s Day protesting decisions by Republican governors that effectively sanction anti-LGBT discrimination. 

In Kansas, nearly 1,000 people gathered outside the statehouse to protest Gov. Sam Brownback’s decision to rescind an executive order protecting LGBT state employees. The Kansas rally featured some colorful signs and costumes. 

In Arkansas, about 70 people gathered outside the governor’s mansion to call on Gov. Asa Hutchinson to veto SB 202, which would prohibit cities from passing LGBT protections. 

View more images and watch news reports on the two rallies, AFTER THE JUMP … 

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John Wright

www.towleroad.com/2015/02/lgbt-activists-stage-valentines-day-protests-in-arkansas-kansas-photos-video.html

'She's Beautiful When She's Angry': The Early Glory of Feminism in a Documentary by Mary Dore

'She's Beautiful When She's Angry': The Early Glory of Feminism in a Documentary by Mary Dore
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This is not a critical review, it’s a spontaneous reaction of sheer astonishment and delight. I am surely not the only one who has waited forever to see a documentary of the beginning feminist movement that hits the target, letting you relive the beginning era moment by thrilling moment. I have been there, although in Paris, not in the States, conscious that much of the great impulses came from American women, firing up the rest of the world.

Now the long wait is over. Filmmaker Mary Dore has done a small miracle of packaging the events of the first five years into a dense, suspenseful and often hilarious ride of “women becoming” that never loses its focus and intense narration.

If you think of documentaries about social movements or revolutions you know how hard a task it is to keep the millions of stories, anecdotes and details moving forward and not get slowed down and bogged down by the indispensable talking heads and the clutter of facts.

Dore clearly knows the territory and her heart and intelligence are palpable in the film. The talking heads she chose are the makers and shakers of these early years when the first sparks of a women’s revolt flew against “patriarchy,” the stifling and oppressive “Father Knows Best” era of the fifties and sixties. Many of these activists — white women and women of color — thankfully are still alive. To name a few: Denise Oliver, Linda Burnham, Carol Giardina, Eleanor Holmes Norton, Kate Millett, Ruth Rosen, Susan Griffin, Susan Brownmiller, Rita Mae Brown, Karla Jay and their fiery sisters are commenting on the events that rocked the boat. It’s beautiful to see their young angry faces and their wise faces today.

Whether you’ve been there and lived the moment or not, this feminist A la recherche du temps perdu makes one feel what it was like. At first just a few handfuls of women protesting their low salaries, questioning their rights as human beings, wondering who owned their bodes – and almost over night, millions of women took to the streets. It’s astonishing now, looking back, to realize how brilliantly organized these women were, partly trained in the political left-wing movements and partly simply driven by the maxim, “The personal is political!” — propelled by a passionate and sacred urgency for justice and liberation.

The uncanny knack of the early feminists for publicity stunts gives the film its particular spice and triumph: secretly dragging a huge banner up the Statue of Liberty and unfurling it before the eyes of the world, was only the first act of daring to get attention. The banner said: “Women of the world, unite!”

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In Paris, the first inspired action of this kind used the monument of the Arc de Triomphe: women (with the press in attendance!) deposited a wreath “for the unknown wife” of the “Unknown Soldier” in his tomb. Similarly, the cocky action of interrupting a Miss America Pageant led women everywhere to burn their corsets and girdles and bras with glee — and shock the establishment to the point that even today feminism is equated with bra burning. You can just imagine how scary such a vision of bra-less harpies must have been for the men of the establishment and their good, girdled wives! Women let loose, women taking power — millions of angry women! Society has no perception today of the joy and exhilaration, the immense humor of breaking free that women experienced back then, and no idea what sisterhood meant when it was first discovered.

Among the distinct chapters of the film, lesbians have a strong moment, but it will take another film, a sequel hopefully, to do justice to the emotional force of love that swept these millions who found out that women together were complete within themselves and with each other. This erotic force is a whole different story to be told, a story very much embodied in the music of the time. The huge impact of women’s music, parties, dancing, physical and gay liberation has not been addressed here, although rousing documentaries about women’s music exist.

This absence, however, does not diminish the powerful film. Major demands of the movement, like free abortion, have become a reality (although in the endless battle of the sexes a constantly endangered reality). Other demands are still light-years ahead, like equal pay for equal work or a salary for stay-at-home parents. Daycare for all children had already been adopted by Congress (how many people remember this extraordinary fact today?), but Nixon vetoed the new law. Feminist achievements for women have been huge, this film reminds us, and no matter that the backlash that followed has been huge as well, the benefits for both women and men seem indelible today. What comes across most poignantly, in my view, is the reminder that rightful anger can move mountains and, as Ruth Rosen reminds us, that laws need to be broken so that better laws for women can be created.

www.huffingtonpost.com/renate-stendhal-phd/shes-beautifu-when-shes-angry-mary-dore_b_6685506.html?utm_hp_ref=gay-voices&ir=Gay+Voices

Oregon’s Next Governor Is a Powerful Inspiration to LGBT Youth and Hundreds Gathered in Portland

Oregon’s Next Governor Is a Powerful Inspiration to LGBT Youth and Hundreds Gathered in Portland

Brown’s coming out story continues to reflect the reality for many bisexual youth, according to HRC Foundation research
HRC.org

www.hrc.org/blog/entry/oregons-next-governor-is-a-powerful-inspiration-to-lgbt-youth-and-hundreds?utm_source=rss&utm_medium=rss-feed