Category Archives: MISC

Activists Work To Say Bye-Bye to Bi Health Disparities

Activists Work To Say Bye-Bye to Bi Health Disparities

As we work to address anti-LGBTQ bias and discrimination in the health care system, it’s imperative to understand the specific needs of people who identify as bisexual — or bi+, an umbrella term that also includes queer, pansexual or fluid identities.

Even after 42 years identifying as bisexual, coming out as bi remains a difficult experience for international speaker Robyn Ochs.

“I am part of a community that faces serious health disparities,” Ochs, who is also the editor of Bi Women Quarterly and of two anthologies, told Equality. “To this day, I fear that when I come out to them as bi, people will see me differently, that they will perceive me in a negative light and that their stereotypes about my bisexuality will become the only thing they see and an obstacle to our interactions.”

Experiences among bi+ people in health care settings remain rarely discussed by community organizers, medical professionals and researchers, but activists like Ochs and Lauren Beach are working to change that.  

“The biggest challenge to researching bi+ health issues is simple: biphobia,” Beach, an LGBTQIA health researcher at Northwestern University and a co-founder of the Chicago Bisexual Health Task Force, told Equality. “That answer, of course, begs the question, ‘How does biphobia present a challenge to bi+ health research?’”  

As March marks Bisexual Health Awareness Month, Beach said that it is important to address the biphobia that contributes to the health disparities bi+ people experience.

“Biphobia leads people to think that bisexual people either don’t exist or that bisexual populations do not experience health disparities,” Beach said.

HRC Foundation’s own research shows that bi+ people face striking rates of poor health outcomes ranging from cancer and obesity, to sexually transmitted infections to mental health problems.

Moreover, transgender people and people of color comprise large portions of the bisexual community, making these groups vulnerable to further disparities that occur at the intersections of biphobia, racism and transphobia.

“Until very recently, reporting on disparities in risk behaviors and health outcomes for LGBTQ people either bundled bi-identified people in with lesbian and gay people or it excluded bi-identified people from reports,” Ochs said. “But now we have evidence and it is clear there is great need, and much that needs to be done.”

For Beach, it’s imperative that advocates realize that bisexual people are everywhere and that the “beautiful diversity of who we are” is visible in media and beyond.

“Intersectionality isn’t optional in these pursuits,” Beach said. “Intersectionality is the reality. Bi+ people and community organizations need allies to help us gain the support that is needed to broadcast these realities to each other and to the world.”

Beach said that building a supportive, inclusive community is one of the most important ways to address biphobia and start to chip away at the stigma bisexual people face both inside and outside the LGBTQ community.

“If someone says they are bisexual, they are bisexual,” Beach said. “Being a true ally to bisexual people means that you should be ready to push back against biphobia, not only from straight people, but also from gay, lesbian and other LGBTQ people.”

To learn more about health disparities bi+ people experience, visit hrc.org/bisexual.

This article first appeared in HRC’s Equality magazine. View the latest issue at hrc.org/magazine

www.hrc.org/blog/activists-work-to-say-bye-bye-to-bi-health-disparities?utm_source=rss&utm_medium=rss-feed

Daddy Dealbreakers

Daddy Dealbreakers

Hide Image: 
Show Image

We’ve all got ’em. Whether it’s ear hair or baby talk, dealbreakers have become a necessary part of navigating the world of dating. But when should they come into play? Maybe you have friends that date with Seinfeldian levels of dealbreakers and run at the first sign of something they don’t like. But everyone deserves a fair chance and even things that we think we have a hardline on can shift when you get to know someone. The question becomes: When you do have a hardline, and you’re having a good time with someone, when is the right time to bring up potential roadblocks?

Honesty is great and severely needed in any stage of a relationship, but in many cases timing is key. By definition, a dealbreaker requires calling the whole thing off. But it’s never really that simple. For instance, what if the supposed dealbreaker is something that can be tweaked, changed, or brought to their attention? We’re not advocating trying to change someone, because in most cases you will fail, but what if communicating your position could make them rethink their behavior? In some cases, the relationship may be more important than what’s breaking the deal. We ask all these questions because there are times when being confident and swift in the choices you make can you help you cut out some of the bullshit inherent to dating. It can also make us miss out on something truly life changing when we’re quick to judge and decide (especially in the world of online dating). At the end of the day, which should win out?

It seems to boil down to having an open heart and mind or being strong-willed and focused. The former can leave you vulnerable and susceptible to hurt and the latter closed off for the sake of self-preservation. Finding a balance between the two seems like our best bet, even if it’s hard to come by.

When it comes to dating what are some of your dealbreakers? And if so, what have your experience with them taught you?



www.daddyhunt.com/blog/2019/03/daddy-dealbreakers?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+daddyhunt+%28Daddyhunt+Blog%29

Alan Cumming and Hari Nef Star in Overflowing ‘Daddy’ Off-Broadway: REVIEW

Alan Cumming and Hari Nef Star in Overflowing ‘Daddy’ Off-Broadway: REVIEW

Those seated in the front row of “Daddy” should prepare to get wet. Yes, there is an actual swimming pool, set in front of a glassy, modernist house in the Hollywood hills, a David Hockney come to life. “This is our time,” howls Hari Nef, playing a gallerist who represents a young Black artist. “We can be outlandish and brazen and unsafe and careless,” she says. “All those things the big boys have been able to be forever.” She’s referring to women, people of color, and everyone else who’s been shoved aside by those she mordantly calls “the white cis het blowhard art bros of the past.”

Of course, she’s also talking about Jeremy O. Harris, whose daring play overflows past the boundaries of convention just as water does from the pool on stage at the Pershing Square Signature Center, where it opened off-Broadway tonight. An opulent joint production of The New Group and Vineyard Theatre directed by Danya Taymor, “Daddy” (intentionally in quotes) turns inside-out the subconscious of an artist — young, Black, and queer — striving in a world built by and for aforementioned blowhards.

This by itself is like a gust of fresh air, considering how often Black experience has recently been co-opted and packaged for consumption by white creators. And it’s no surprise that the tangled contents of an artist’s mind — tortured by inherited racial trauma, an absent father, a lapse of faith — should flood any single canvas. But ultimately the play quite literally cannot be contained. Though “Daddy” is invigorating, provocative, and often wildly entertaining, audiences may be forgiven for eventually feeling lost, overwhelmed, and a vague urge to call out for their own to take them home to bed.

The play, which Harris subtitles “a melodrama,” spills over in nearly every sense. (Clocking in close to three hours with two intermissions, time isn’t the least of them.) That budding artist (played by Ronald Peet) and his elder patron and lover (Alan Cumming), whom we meet rolling on molly in the opening scene, frequently spill out of their clothes and into the pool. When the artist’s roiling psyche breaches the confines of his imagination, the cast pulls out hand mics and breaks into George Michael’s “Father Figure.” Did I mention there’s a gospel choir?

The artist moves in after that first night, seemingly another object in a collection. Cumming’s character pet names him “Naomi,” as in Campbell, and takes to spanking him. The young man’s friends (played by Tommy Dorfman and Kahyun Kim) gather to gossip in the sun about their various adventures in sugar baby-ing. Like much of Harris’ play, it’s “so L.A.” as the three of them might say. But it’s more than mere metaphor. We watch as the young artist becomes increasingly and curiously more childlike, sucking his patron’s thumb, calling him “daddy,” and regressing to impetuousness.  

For his first solo show, the artist constructs miniature dolls — what his mother (played by Charlayne Woodard) calls “coon babies” — finely dressed to please. When that exhibit sells out, he moves on to fashioning life-size fabrications of himself, his mom (who arrives, after several unanswered voicemails, to rescue him from the white devil, or “methuselah” as she calls him), and Cumming’s wealthy collector, his adopted father figure. The puppets lend a macabre pageantry to Harris’ drama in their theatrical use of material and form. As psychological art, they come to feel overdetermined. (The boy started playing will dolls when his father abandoned the family.)

A surfeit of cunning insight — on art, sex, power, faith, subjectivity, and coming of age from the margins, to name a few — is far more than one can reasonably expect from even the most established and revered playwrights in American theatre, much less one who’s not yet out of graduate school. On that first euphoric night, Harris’ young artist explains that his work “[recontextualizes] what it means to be a Black man.” Harris aims to do far more than just that, as already evidenced by Slave Play, his professional debut last fall. Fortunately for us, he’s just getting started.

Recent theatre features…
Inherited Histories Explode in Dynamite ‘Marys Seacole’ Off-Broadway: REVIEW
Ethan Hawke and Paul Dano Play Men Behaving Badly in ‘True West’ on Broadway: REVIEW
In ‘Bleach,’ Confessions of a Rent Boy in a Brooklyn Basement: REVIEW
Black, Gay, and Striving to be Heard in ‘Choir Boy’ on Broadway: REVIEW
Towleroad’s Top 10 Plays and Musicals of 2018
The Most Interesting Part of Broadway’s ‘To Kill a Mockingbird’ Already Happened Off Stage: REVIEW
Bryan Cranston Headlines a Bold but Bloodless ‘Network’ on Broadway: REVIEW
Broadway’s ‘The Cher Show’ Is a Feast for Fans and an Assertion of Legacy: REVIEW
Feel-Good New Musical ‘The Prom’ Wears a Big Heart on Its Puffy Sleeve – REVIEW

Follow Naveen Kumar on Twitter: @Mr_NaveenKumar

(photos: monique carboni)

The post Alan Cumming and Hari Nef Star in Overflowing ‘Daddy’ Off-Broadway: REVIEW appeared first on Towleroad Gay News.


Alan Cumming and Hari Nef Star in Overflowing ‘Daddy’ Off-Broadway: REVIEW

Tribeca Film Festival announces 14 LGBTQ-inclusive films in 2019 lineup

Tribeca Film Festival announces 14 LGBTQ-inclusive films in 2019 lineup

Tribeca Film Festival 2019

Credit: Tribeca Film Festival

The 2019 Tribeca Film Festival, presented by AT&T, unveiled its feature film lineup, which includes 14 LGBT-inclusive titles. Continuing its tradition of elevating exceptional storytelling rooted in today’s global film communities, the 18th annual Festival will showcase debut works from emerging talent and new works from notable filmmakers.The festival takes place April 24th – May 5th.  

Of the 103 films premiering at the festival, half are directed by women with 40% directed by one or more women; 29% are directed by people of color; and 13% of films are directed by an LGBTQIA-identifying person. “Every festival is shaped by and reflective of its community, and we are fortunate that our hometown just happens to be the most diverse city on Earth,” says Festival Director Cara Cusumano.

Tribeca features 3 domestic and international narrative features amongst the queer inclusive films in its respective competition categories. This includes 1 domestic and 1 international documentary feature in both competitions as well as 2 documentaries in the Spotlight and Midnight categories; 4 features represented in Viewpoints, a category celebrating distinct voices in filmmaking; and 3 features in Movies Plus, a category that supplements each screening with a special panel or presentation.

Below is a highlight of notable LGBTQ-inclusive films screening at Tribeca. For a full list of the featured films, click here.

 

NARRATIVE COMPETITIONS

ClementineClementine, directed and written by Lara Jean Gallagher. Produced by Aimee Lynn Barneburg, Davis Priestley, Karina Ripper. (USA) – World Premiere. Reeling from a one-sided breakup, heartbroken Karen breaks into her ex’s lakehouse. There, she strikes up a complicated relationship with provocative younger woman Lana in this beautifully rendered psychological drama and sexual coming of age story. (Cast: Otmara Marrero, Sydney Sweeney, Will Brittain, Sonya Walger)

 

flawlessFlawless (Haneshef), directed and written by Sharon Maymon, Tal Granit. Produced by Osnat Handelsman Keren, Talia Kleinhendler, Moshe Edery, Leon Edery, Thanassis Karathanos, Martin Hampel. (Israel, Germany) – World Premiere. Three teenage girls in search of physical perfection are drawn down a dark path of black-market plastic surgery, an impulsive adventure that ultimately becomes a journey of self-discovery. (Cast: Stav Strashko, Netsanet Zenaneh Mekonnen, Noam Lugasy, Arad Triffon Reshef, Niv Sultan, Asi Levy)

 

house of hummingbird.jpgHouse of Hummingbird (Beol-sae), directed and written by Bora Kim. Produced by Zoe Sua Cho, Bora Kim. (South Korea, USA) – North American Premiere. In 1994 Seoul, quiet eighth-grader Eunhee spends her time consumed by love and friendship, shoplifting, and karaoke. But it’s in her new teacher that Eunhee finds the unlikely connection that she has been desperately seeking in this touching coming-of-age drama. (Cast: Jihu Park, Saebyuk Kim, Seungyeon Lee, Ingi Jeong)

 

DOCUMENTARY COMPETITIONS

for they do not know what they do.jpgFor They Know Not What They Do, directed by Daniel Karslake, written by Nancy Kennedy, Daniel Karslake. Produced by Daniel Karslake, Sheri Heitker, Barbara Simon. (USA) – World Premiere. When the Supreme Court legalized marriage equality, the backlash by the religious right was swift, severe, and successful. Karslake’s documentary looks at four faith-based families with LGBTQ children caught in the crosshairs of sexuality, identity, and scripture.

seahorse.jpg

Seahorse, directed and written by Jeanie Finlay. Produced by Andrea Cornwell, Jeanie Finlay. (UK) – World Premiere. Director Jeanie Finlay charts a transgender man’s path to parenthood after he decides to carry his child himself. The pregnancy prompts an unexpected and profound reckoning with conventions of masculinity, self-definition and biology.

 

SPOTLIGHT DOCUMENTARY

halston.jpgHalston, directed and written by Frédéric Tcheng. Produced by Roland Ballester, Frédéric Tcheng, Stephanie Levy, Paul Dallas. (USA) – New York Premiere. From Jackie Kennedy to Studio 54, Halston’s minimalist designs put American fashion on the map in the 1970s. Tribeca alum Frédéric Tcheng examines the work and life of the enigmatic visionary who called himself Halston. (With Tavi Gevinson, Cornelia Guest, Liza Minnelli, Marisa Berenson, Joel Schumacher, Pat Cleveland. A 1091 Media’s The Orchard and CNN release.)

 

VIEWPOINTS

changingthegame.jpgChanging the Game, directed by Michael Barnett, written by Michael Barnett, Michael Mahaffie. Produced by Clare Tucker. (USA) – World Premiere, Feature Documentary. Transgender high school athletes from across the country compete at the top of their fields, while also challenging the boundaries and perceptions of fairness and discrimination. With Mack Beggs, Sarah Rose Huckman, Andraya Yearwood.  (Also playing as part of the Tribeca/ESPN Sports Film Festival)

 

circusofbooks.jpgCircus of Books, directed and written by Rachel Mason. Produced by Rachel Mason, Kathryn Robson, Cynthia Childs, Adam Baran. (USA) – World Premiere, Feature Documentary. How do you explain to your friends that your mom and pop run a gay pornography shop? That is just one question asked in this playful documentary about the titular LA store and its unlikely proprietors. (With Larry Flynt, Justin Honard (aka Alaska Thunderfuck), Jeff Stryker)

 

crshd.jpgCRSHD, directed and written by Emily Cohn. Produced by Emily Cohn, Jennifer George, Abby Pucker, Barrett Rouen. (USA) – World Premiere, Feature Narrative. Best friends Izzy, Anuka, and Fiona have a pact to lose their virginity before the summer break. They pin their hopes on getting into their college’s super exclusive “crush party.” (Cast: Isabelle Barbier, Deeksha Ketkar, Sadie Scott, Will Janowitz, L.H. González, Abdul Seidu)

 

goldie.jpgGoldie, directed and written by Sam De Jong. Produced by Luca Borghese, Ben Howe. (USA) – North American Premiere, Feature Narrative. Goldie takes care of her sisters while their mom is in prison, but her true dream is stardom.  With child protective services looming and a real music video shoot on the horizon, Goldie’s last option is to make her dreams come true or lose it all in Sam de Jong’s stylish and gritty New York City fable. (Cast: Slick Woods, George Sample III, Danny Hoch, Khris Davis, Marsha Stephanie Blake, A$AP Ferg)

 

MIDNIGHT

you dont nomi.jpgYou Don’t Nomi, directed and written by Jeffrey McHale. Produced by Jeffrey McHale, Ariana Garfinkel, Suzanne Zionts. (USA) – World Premiere, Feature Documentary. Released in 1995, Paul Verhoeven’s Showgirls was met by critics and audiences with near universal derision. You Don’t Nomi traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece. (With Peaches Christ, Jeffery Conway, April Kidwell, Haley Mlotek, Adam Nayman, David Schmader)

 

MOVIES PLUS

gaychorusdeepsouth.jpgGay Chorus Deep South, directed by David Charles Rodrigues, written by David Charles Rodrigues, Jeff Gilbert. Produced by Bud Johnston, Jesse Moss. (USA) – World Premiere, Feature Documentary. To confront a resurgence of anti-LGBTQ laws, the San Francisco Gay Men’s Chorus embarks on an unprecedented bus tour through the Deep South, celebrating music, challenging intolerance, and confronting their own dark coming out stories. (With The San Francisco Gay Men’s Chorus, Oakland Interfaith Gospel Choir, Dr. Tim Seelig, Ashlé, Jimmy White.) After the Premiere Screening: a special performance by The San Francisco Gay Men’s Chorus.

 

trixie moving parts.jpgTrixie Mattel: Moving Parts, directed and written by Nick Zeig-Owens. Produced by David Silver. (USA) – World Premiere, Feature Documentary. With razor-sharp wit and authentic country music chops, Trixie Mattel charmed audiences and judges as winner of RuPaul’s Drag Race All Stars. But the grind of performing and the pressure of the title proves that heavy is the head that wears the tiara. After the Premiere Screening: a special performance by Drag Race All-Star Trixie Mattel.

 

xy chelsea.jpgXY Chelsea, directed by Tim Travers Hawkins, written by Mark Monroe. Produced by Julia Nottingham, Lucas Ochoa, Thomas Benski, Isabel Davis. (UK) – World Premiere, Feature Documentary. Following the shock commutation of her sentence, whistleblower and trans woman Chelsea Manning prepares to leave an all-male military prison in Kansas and transition to living life for the first time as a free woman. (With Chelsea Manning, Nancy Hollander, Vince Ward, Chase Strange. A Showtime release.) After the Premiere Screening: a conversation with film subject Chelsea Manning, producer Isabel Davis, and director Tim Hawkins.

March 5, 2019
Issues: 

www.glaad.org/blog/tribeca-film-festival-announces-14-lgbtq-inclusive-films-2019-lineup