A Matter of Pride: First Steps to LGBT Inclusion in St. Patrick's Day Parades

A Matter of Pride: First Steps to LGBT Inclusion in St. Patrick's Day Parades
For twenty years, gay and lesbian Irish-Americans have wanted to march in Boston’s St. Patrick’s Day parade. And for twenty years, the parade has done everything in its power to keep them out.

But now that’s all in the past. After two decades of exclusion, LGBT groups are finally welcome in Boston’s parade. (New York’s, on the other hand, still isn’t quite there yet. Maybe next year.)

It’s fair to ask why it matters whether gays and lesbians are allowed to march in a parade where they’re not wanted. Don’t they already have enough parades of their own?

It may seem trivial, but having access to cultural celebrations is a big deal. Not just for LGBTs, but for everyone who’s ever been part of an unpopular group.

Remember, in the 1800s, Irish immigrants suffered intense discrimination. They were considered sub-human, denied jobs, and confined to ghettos. Americans at the time thought that Irish immigrants were outsiders, and could never be real American citizens.

That’s why a simple parade is so important. When you have a whole country telling you that you’re inferior, it can be life-changing to display your pride in your identity and your community. It’s a chance to show the world that you’re not ashamed of who you are — in fact, you celebrate it.

For two decades, LGBT Irish-Americans have wanted to join that expression of pride. But parade organizers, such as John “Wacko” Hurley, didn’t see them as a part of the St. Patrick’s Day community. Hurley said, “They get a parade in June in town, so I don’t know why they need to do this.”

In other words, he saw gay and lesbian Irish-Americans only in terms a single defining characteristic — their sexuality. To parade leaders, the gay and lesbian marchers weren’t Irish; they were outsiders who didn’t belong in their parade.

It’s just like how Americans once saw Irish immigrants solely in terms of their national origin, and viewed them as outsiders who didn’t belong in their country.

It’s easy to define other people by what makes them different. That’s how oppression happens: a group in charge decides that some other group is strange and inferior. They focus exclusively on the difference, and erase all of the other qualities that individuals in that group might have.

The parade’s old exclusionary policy instilled shame in being an LGBT Irish-American. And instilling shame defeats the whole point of having a celebration of cultural pride.

The evolution of Boston’s St. Patrick’s Day parade isn’t just about a five-mile march in blustery weather. It’s about being free to celebrate your pride in every aspect of what makes you the person you are.

www.huffingtonpost.com/matt-baume/a-matter-of-pride-first-s_b_6884446.html?utm_hp_ref=gay-voices&ir=Gay+Voices

DVD: “The Way He Looks,” “Annie,” “Top Five,” & More!

DVD: “The Way He Looks,” “Annie,” “Top Five,” & More!

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A blind gay boy in love, a comedian in crisis, and a little orphan named Annie make up this week in home entertainment.

Without further ado, here are the details!

 

The Way He Looks

($32.99 Blu-ray, $27.99 DVD; Strand)

A major hit on the LGBT film festival circuit finally arrives on home video. Brazilian teenager Leo has been blind since birth, but when a new student, Gabriel, shows up at his school and becomes a friend, his eyes are truly opened to something new and special. A genuinely sweet gay coming-of-age romance tale. Extras include a behind the scenes featurette, deleted scenes, cast and crew interview and the short film that helped launch the feature.

 

Annie

($38.99 Blu-ray, $30.99 DVD; Sony)

The evergreen Annie musical gets a 21st Century, multi-cultural redux starring Jamie Foxx, Quvenzhané Wallis, Rose Byrne, Bobby Cannavale, and Cameron Diaz. We can leave it at that, right? Extras include a commentary, featurettes, bloopers, deleted “Something Was Missing” performance by Jamie Foxx, music video and more.

 

Top Five

($39.99 Blu-ray, $29.99 DVD; Paramount)

Chris Rock’s latest outing as writer/director is meta, satirical, and at times cutting — and far more accessible and funny than Birdman. Rock plays Andre Allen, a comedic actor whose struggle to stay sober — and disdain for his signature hit film franchise — has somehow deprived him of the ability to be funny. When he’s interviewed by a New York Times reporter (Rosario Dawson) about his hot mess of a dramatic slave movie and upcoming marriage to a reality TV star, for a full day and night, everything comes to a head. Great cameos from the likes of Jerry Seinfeld, Adam Sandler, and Whoopi Goldberg add to the fun and poignancy. Extras include a commentary, featurettes, deleted scenes, outtakes and more.

ALSO OUT:

exodus-gods-and-kings-blu-ray-cover-57Exodus: Gods and Kings

 

Son of a Gun

 

Lawrence Ferber

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