In Drew Droege’s ‘Bright Colors And Bold Patterns,’ a Hilarious Portrait of Living Out Loud: REVIEW

In Drew Droege’s ‘Bright Colors And Bold Patterns,’ a Hilarious Portrait of Living Out Loud: REVIEW

Drew Droege Bright Colors

At various moments during Bright Colors And Bold Patterns, Drew Droege’s uproarious solo portrait of a gay man on the verge, my friend and I nudged each other in the dark. “That is you!” “Oh, this is so [name redacted].” “Now that… yeah okay, that’s me.”

Not that anyone could hear us over the laughs at SoHo Playhouse, where the show’s return off-Broadway engagement opened November 20, following an acclaimed run at Barrow Street Theatre last year.

Maybe you’ve never attended a gay wedding in Palm Springs — or shared a weekend house with your ex-roommate and lover turned best friend, his new boyfriend, and a sworn frenemy. But an evening with Gerry is like looking into a kitschy mosaic mirror in some corner of these desert digs, whose aesthetic he describes as if “Trina Turk and Betsey Johnson threw up Bacardi Razz and then sold it to Target.” (Scenic design is by Dara Wishingrad.) Chances are that during this 80-minute roller coaster of a poolside bender, you’ll recognize flashes of yourself and pretty much every homo you know.

Not that everyone lives as out loud as Gerry (“I’m a lot, he says, in dramatic understatement). From the moment he steps on stage, after a bitch of a drive up the 10 from L.A., Gerry runs his mouth as though if he slowed down the motor might give out. Nimbly directed by Michael Urie, Droege plays one-sided conversations disguised as a monologue opposite empty chairs. But the unseen characters would be hard pressed to get a word in, anyway — their presence hardly matters. Gerry’s own life is a one-man show, a manic, encyclopedic stream of campy references and repartee. He’s the life of the party with an appetite for escape (“Werrk!” he commands his first afternoon Corona). The question is from what.

What begins as an anxious and colorful kind of frenzy descends with the sunset into something more dour. Like the margaritas he swills, there’s a salty bitterness mixed in with Gerry’s sanguine self-assurance. Beyond the indecency of flying solo to a gay wedding (Gerry claims he’s in a fight with his boyfriend), he rails against what he calls the “race toward normal” that his soon-to-be-wed friend — and the queer movement writ large — seem to have embraced.

With Bright Colors, Droege, best known for his viral YouTube sendups of Chloë Sevigny, mines the psyche of a culture that’s gone from celebrating life on the margins to scrambling toward the middle. Having the door open to a conventional life — one hardly any queer person would agree should’ve remained closed — comes with a new kind of pressure to step through it. And, worst of all for Gerry, to leave behind some of the hard-won vibrancy and freedom born of reacting against the system to begin with.

The wedding invite that brought the crew to Palm Springs tells them to avoid wearing “bright colors and bold patterns” — a request that strikes Gerry as an affront to everything he’s worked so hard to love about being himself. They may not be your style, but Gerry’s impassioned defense of living in a full range of hues will likely stir something in you, too.

Recent theatre features…
In New Musical ‘The Band’s Visit,’ an Exquisite Meditation on Hopes Won and Lost: REVIEW
Julie Taymor Directs Clive Owen in Stylish but Earthbound ‘M. Butterfly’ on Broadway: REVIEW
In Off-Broadway’s ‘Lonely Planet,’ Coping with AIDS Trauma on a Human Scale: REVIEW
Transcendent ‘Torch Song’ Starring Michael Urie and Mercedes Ruehl Is Required Gay Viewing: REVIEW
‘Downton Abbey’s Elizabeth McGovern Opens in Puzzling ‘Time and the Conways’: REVIEW
‘A Clockwork Orange’ Shows Plenty of Skin, Skimps on Danger Off-Broadway: REVIEW

Follow Naveen Kumar on Twitter: @Mr_NaveenKumar
(photos: russ rowland)

The post In Drew Droege’s ‘Bright Colors And Bold Patterns,’ a Hilarious Portrait of Living Out Loud: REVIEW appeared first on Towleroad.


In Drew Droege’s ‘Bright Colors And Bold Patterns,’ a Hilarious Portrait of Living Out Loud: REVIEW

Tory Bid To Woo Youth Vote With New 26-30 Railcard Dismissed As ‘Too Little Too Late’

Tory Bid To Woo Youth Vote With New 26-30 Railcard Dismissed As ‘Too Little Too Late’
Chancellor Philip Hammond will try to woo Jeremy Corbyn’s “youth vote” by pledging a new railcard for under-31s and more help for students who overpay loans.

On the eve of the Budget, the Treasury confirmed it would extend the current train travel discounts to include 26-30 year-olds and restructure university payments to avoid excess charges.

But Labour dismissed both moves as “too little too late” and called for more radical policies such as the renationalisation of the railways.

Hammond had urged fellow MPs to come to him with policies to win back the millions of young voters who flocked to Labour in the snap general election in June.

HuffPost UK revealed this month that new Mansfield MP Ben Bradley has formed a special group of Tory MPs aged 35 and under to advise the Government on how to reconnect with parts of the electorate who deserted the Conservatives in big numbers.

One Labour source said the Budget moves were “too little, too late” for many young people.

The Treasury said that it would “work with industry” to extend the current youth railcard to include 4.5 million more young people.

It is expected that the card will work on a similar basis to the one for 16-25 year olds, which has existed in one form or another since 1974.

The Treasury said it expected the new card to be available for passengers from next spring, but Labour pointed out that the policy had yet to be finalised with private rail firms.

Shadow Transport Secretary Andy McDonald said the plan “will do nothing for commuters who have seen the cost of travel rise by 27% since 2010, twice the rate of wages”.

“The Tories are tinkering around the edges of a broken system. Our railway should be run by and for passengers, not private shareholders and foreign governments. Labour will take rail back into public ownership, bringing fares down for all passengers and preventing fares rising above inflation, saving the average commuter around £500 over the course of Parliament.”

In another move, the Treasury said that the Budget would also signal an end to the problem of graduates overpaying on their student loans.

A common complaint from graduates repaying their student loan through the tax system is that they often find money continues to come off their wages, even when the full loan has been repaid.

In 2015-16, 86,000 people with a student loan overpaid, and the average overpayment per graduate was £592 – equivalent to many people’s weekly wage.

Now, HM Revenue and Customs and the Student Loans Company are developing a data-sharing system for April 2019, which will automatically stop all repayments once a borrower has repaid in full.

This new announcement follows the Prime Minister’s commitment in October to raise the income level that triggers student loan repayments from £21,000 to £25,000 a year in 2018-19, and increasing this with average earnings thereafter.

Around 600,000 borrowers (with post-2012 loans) are expected to benefit from the threshold changes, helping to secure a better future for the next generation.

Labour said it was pleased ministers had finally listened to its complaints about “the scandal of graduates overpaying” overpayments, but said that paled compared to the wider problems with the system.

“Students are already facing a lifetime of debt thanks to the Tories tripling fees and scrapping grants, so it’s outrageous that some have had as much as £10,000 wrongly taken from them on top of what they owed,” Shadow Education Minister Gordon Marsden said.

www.huffingtonpost.co.uk/entry/philip-hammond-bids-to-woo-youth-vote-with-26-30-railcard-and-end-to-graduate-loan-overpayment_uk_5a1366fae4b0bfa88c1c9dce

Sports Minister Tracey Crouch: People Are Tired Of The BBC’s Brexit Obsession

Sports Minister Tracey Crouch: People Are Tired Of The BBC’s Brexit Obsession
The smart watch strapped to Tracey Crouch’s wrist is programmed to go off when one of two things happens: breaking political news or a goal involving her beloved Tottenham Hotspur.

Her tech settings sum up why the Sports Minister is frequently cited as one of those rarest of beasts: a politician doing a job they actually know about.

Speaking in her office, the 42-year-old agrees she is a “round peg in a round hole.”

She says: “There’s more to me than knowing about sport, but at the end of the day I do know about sport, and am one of these people that probably turns to the back pages before the front pages.”

Crouch’s office is adorned with sporting memorabilia, including cricket bats signed by the England team, and her enthusiasm for her job is obvious.

First appointed to the role by David Cameron in May 2015, she was kept on by Theresa May – who added the Civil Society brief after the 2017 election.

While her smart watch is set up for Spurs and breaking news, there is one topic which Crouch does not seem to want minute-by-minute updates on: Brexit.

Despite being billed as one of the “new pragmatic Eurosceptic” Tory MPs in 2011, Crouch is one of the very few Parliamentarians not to reveal how she voted in the EU referendum.

Crouch was on maternity leave when the majority of MPs declared whether they were for Remain or Leave, and she took to Twitter in February 2016 to say she was thinking more about breast pumps than Brexit.

More than 500 days after the vote, Crouch still won’t disclose which side she was on: “Of course I voted. I was one of seven MPs who never declared how I voted. Now I figure it an irrelevance anyway.

“I was on maternity leave so I wasn’t sort of het up and caught up in all the political campaigning, and then I just decided that I didn’t think it mattered.

She adds: “I just decided I didn’t want to declare.”

Going back through Crouch’s personal blog – which starts in 2007, three years before she was elected as MP for Chatham and Aylesford – it seems she just about leans towards Remain more than Leave.

In 2007 she demanded a referendum on the EU Treaty, but in a 2010 rant against the EU Draft Budget, she said: “Before anyone tries to paint me as an anti-European, I am not. I am certainly not a Better Off Out campaigner but I do think we need to bring back some of our sovereignty.”

She denies her secret position is a political calculation to appeal to those on both sides of the debate, and happily tears into both campaigns.

When asked what she made of Vote Leave and Stronger In, Crouch replied she was “extremely disappointed” as she watched from home while on maternity leave with the rest of the country.

“I think that both campaigns ran quite information-free campaigns so people really couldn’t make decisions, or were making decisions, on really kind of high-level slogans.

“People made their decisions based on a whole host of individual choices and how Brexit would affect their families and their communities and their businesses, but the campaign itself, just watching it as an outsider was really quite shocking.”

Crouch believes that while the “Westminster echo chamber” is fixated on Brexit, those outside SW1 just want the Government “to get on with delivering leave”.

“We are leaving and people come up to me in the streets and say ‘Can you ask the BBC’ – they always say the BBC – ‘Can you ask the BBC to stop reporting on Brexit?’ because they are sort of tired of it, to the extent that actually I recently wrote a column for my local newspaper reflecting this, that people are saying they are bored of Brexit. I wrote my entire column on Bake Off instead.

“They want us to do it, they want us to get on with it. I’m not sure they necessarily want the daily commentary on it.”

Tracey Crouch’s son Freddie recognises his mum on the tele.

There has been a lot to distract Crouch from Brexit since the election. As well as her 21-month old son, the Sports Minister had to deal with revelations involving those managing the England Women’s football team.

Manager Mark Sampson was sacked by the FA in September for “inappropriate and unacceptable behaviour” while he was in charge of Bristol Academy, while England players Eni Aluko and Drew Spence both claimed he had made racist remarks while he was the national team boss.

In November, goalkeeping coach Lee Kendall quit his role after Aluko claimed he had repeatedly spoken to her in a Caribbean accent.

In an independent review of the case, barrister Katharine Newman found Sampson had made “ill-judged attempts at humour, which, as a matter of law, were discriminatory on grounds of race”.

When asked if she feels the sport has had its reputation damaged by the affair, Crouch says: “The whole sorry saga has certainly tarnished not just the efforts of the chairman to reform, to be compliant with governance, but also some of the success on the pitch.”

As the former player and coach, Crouch is delighted with the “transformation” in women’s football in recent years.

Whereas youngsters can now idolise female players such as Steph Houghton, Fran Kirby and Lucy Bronze, Crouch says: “I’m not even sure I was aware as a young girl playing football that there’s was a women’s team. That has changed now. When I was growing up, the players that were in my head that I was pretending to be were all male players.”

When asked who Crouch would pretend to be, she replied instantly: “Clive Allen. My hero. I won’t hear a bad word said against him.”

Crouch does not believe Sampson’s replacement has to be a woman, saying: “The England manager, whoever it is, needs to be appointed on merit. That’s the same for the men’s team. I think you should always have a manager who is there who is going to do the best for the England team.”

As Sports Minister, Crouch has not been afraid to ruffle a few feathers in order to make changes. In 2015, with figures showing participation in sport flatlining, she described the Government’s strategy as “out of date”, adding: “I’m going to rip up that strategy and start again.”

She unveiled a new plan later that year, with the focus on getting youngsters as young as five getting involved in sport and trying to get more adults off the sofa and into the park or gym.

“The new sport strategy is not designed to get somebody who is fit fitter, it is designed to get somebody who was doing nothing do something,” she says.

Ahead of the strategy being announced in December 2015, Crouch gave an interview to The Spectator which garnered some unwanted headlines.

Discussing the Government’s planned cuts to tax credits, Crouch said some people who to come her constituency surgeries “just haven’t realised some of the savings that they need to make themselves, you know it can be… things like paid subscriptions to TVs and you just sit there and you think you have to sometimes go without if you are going to have people make ends meet.”

Her comments prompted a backlash from Labour MPs, with one describing her words as “frankly offensive.”

Two years on, and Crouch is clearly angry at the coverage her remarks got, saying: “Quite a lot of debt advisors contacted me after the misinterpretation by other newspapers to say that’s exactly the type of conversations they do have to have. I’m fully sympathetic of people because I’ve been there.”

Crouch racked up £15,000 of debt when she was in her twenties, and eventually her bank manager had to cut up her credit and store cards in front of her to help get control of the situation.

Explaining how she got into such a dire financial situation, Crouch says: “Straight out of university, I arrived in London and lived with people who were earning a lot more money than me.

“I wanted to keep up and got myself into horrendous debt which took a long time to pay off.”

Crouch added: “I’m fortunate to be in a well-paid job and I wouldn’t for a nanosecond think that I had the same problems as many of my constituents but I certainly from my own past can fully appreciate and understand what they’re going through which is why I always want to help.”

Perhaps the negative coverage she received over her subscription TV remarks is one of the reasons why she – unlike colleagues such as James Cleverly – has no aspirations to be Prime Minister.

Crouch says: “I’m quite a sensitive person, I’m not sure I want to see or want my family to see the daily sort of attack on me for my principles or my dress sense or things like that.

“I genuinely don’t want to do it. I think it’s a thankless task and I would be horrified on behalf of my family if they saw me being shredded on a daily basis.”

www.huffingtonpost.co.uk/entry/tracey-crouch-brexit-sport_uk_5a13384be4b0bfa88c1c3ee0

‘Queen Sugar’ and Dee Rees lead LGBTQ-inclusive NAACP Image Awards nominations

‘Queen Sugar’ and Dee Rees lead LGBTQ-inclusive NAACP Image Awards nominations

Photo Credit: Netflix

The 49th NAACP Image Awards, which celebrate the accomplishments of people of color in the fields of television, music, literature, and film, announced their nominees on Monday and several LGBTQ and LGBTQ-inclusive honorees lead the way. From Dee Rees and Samira Wiley, to Survivor’s Remorse and Whose Streets?, the NAACP Image Awards nominated an exceptional group of LGBTQ talent and content this year.

On the television side, out actors Titus Burgess, Jussie Smollett, and Samira Wiley all received nominations for playing LGBTQ characters on their respective shows. Burgess received a nomination Outstanding Supporting Actor in a Comedy Series for playing Titus Andromedon on Netflix’s Unbreakable Kimmy Schmidt. Smollett is nominated for Outstanding Supporting Actor in a Drama Series for playing Jamal on FOX’s Empire. And Wiley is nominated for Best Supporting Actress in a Drama Series for her role as Moira on Hulu’s The Handmaid’s Tale.

LGBTQ-inclusive nominees for television included Netflix’s Dear White People, and Starz’s (unfortunately, canceled) Survivor’s Remorse for Outstanding Comedy Series; as well as OWN’s Queen Sugar and NBC’s This is Us for Outstanding Drama Series. Disney Junior’s Doc McStuffins was nominated for Outstanding Children’s Program, NBC’s Saturday Night Live received a nomination for Outstanding Comedy Series, and out writer/director Justin Simien was nominated for both Outstanding Writing for a Comedy Series and Outstanding Directing for Dear White People.

Master of None’s Emmy Award-winning “Thanksgiving” episode received a nomination for Outstanding Writing in a Comedy Series for Aziz Ansari, although the episode was highly influenced by the life of the episode’s co-writer Lena Waithe. The pair won an Emmy for the episode earlier this year.

On the film side, lesbian filmmaker Dee Rees received a nomination both for Outstanding Writing in a Motion Picture and Outstanding Directing in a Motion Picture for the Netflix film Mudbound.

Professor Marston and The Wonder Women, written and directed by out filmmaker Angela Robinson, was nominated for Outstanding Independent Motion Picture. And queer actress Amandla Stenberg was nominated for Outstanding Actress in a Motion Picture for her lead role in Everything, Everything.

Meanwhile, documentary Whose Streets? received a nomination for Outstanding Documentary (Film).

The NAACP Image Awards, will again be hosted by “Black-ish” star Anthony Anderson and will air on January 15th, 2018, at 9/8c on TV One.

November 20, 2017

www.glaad.org/blog/%E2%80%98queen-sugar%E2%80%99-and-dee-rees-lead-lgbtq-inclusive-naacp-image-awards-nominations