Thousands Rally in Support of Australia Gay Marriage as Polls Narrow

Thousands Rally in Support of Australia Gay Marriage as Polls Narrow

Thousands of Australians dressed in rainbow colours rallied Sunday in support of same-sex marriage ahead of a postal ballot, as polls showed the “yes” campaign’s lead shrinking despite backing from the nation’s top political leaders. Carrying vibrant posters and calling for marriage equality, the marchers packed the streets of central Sydney and Brisbane two days before…

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Thousands Rally in Support of Australia Gay Marriage as Polls Narrow

Must-See LGBTQ TV: ‘Kevyn Aucoin: The Beauty and the Beast in Me’

Must-See LGBTQ TV: ‘Kevyn Aucoin: The Beauty and the Beast in Me’

Courtesy of Kevyn Aucoin Documentary

Grab the remote, set your DVR or queue up your streaming service of choice! GLAAD is bringing you the highlights LGBTQ on TV this week. Check back every Sunday for up-to-date coverage in LGBTQ-inclusive programming on TV.

Starting on Sunday, Sundance TV will air a 3 night, 6 episode miniseries, Top of the Lake: China Girl, a follow up to the award-winning Top of the Lake. The series continues to follow Detective Robin Griffin (Elisabeth Moss) as she tries to solve a murder, while also finding the child she gave up at birth. The miniseries also stars Nicole Kidman as the adopted mother of the child, who has recently come out as a lesbian. Top of the Lake: China Girl: Sunday-Tuesday, 9pm on Sundance.

On Thursday, Logo will be airing Kevyn Aucoin: The Beauty and the Beast in Me, an in-depth look at renowned celebrity make-up artist Keyvn Aucoin, who left his past in rural Louisiana to become one of the most sought after makeup artists of his time. The documentary includes never before seen archival footage, as well as interviews with his subjects, who include Cindy Crawford, Naomi Campbell, and Andie MacDowell. Kevyn Aucoin: The Beauty and the Beast in Me: Thursday, 9pm on Logo.

Sunday, September 10th: Teen Wolf (8pm, MTV); Fear the Walking Dead (9pm, AMC); Top of the Lake: China Girl (9pm, Sundance); Episodes (10pm, Showtime); Survivor’s Remorse (10pm, Starz)

Monday: Top of the Lake: China Girl (9pm, Sundance); Midnight, Texas (10pm, NBC); I Hart Food (10pm, Food Network)

Tuesday: Difficult People (Hulu); Top of the Lake: China Girl (9pm, Sundance); American Horror Story: Cult (10pm, FX)

Wednesday: Midnight Texas (10pm, NBC); Younger (10pm, TVLand)

Thursday: Kevyn Aucoin: Beauty and the Beast in Me (9pm, Logo); Better Things (10pm, FX

September 10, 2017

www.glaad.org/blog/must-see-lgbtq-tv-kevyn-aucoin-beauty-and-beast-me

Broadway Veteran Michael Friedman Dies at 41 of Complications from HIV/AIDS

Broadway Veteran Michael Friedman Dies at 41 of Complications from HIV/AIDS

Michael Friedman, the composer, lyricist and Broadway veteran best known for co-creating the musical Bloody Bloody Andrew Jackson, died on Saturday at 41, due to complications from HIV/AIDS.

We are devastated about the loss of our family member, Michael Friedman. His loss leaves a hole in the theater world that cannot be filled. pic.twitter.com/ALEU0eTYb9

— The Public Theater (@PublicTheaterNY) September 9, 2017

Wrote the NYT: “His death stunned the theater community, which had lost many artists to AIDS in the 1980s and 1990s, but fewer in recent years.”

Wrote Playbill:

As a composer, Friedman is most known for his work Bloody Bloody Andrew Jackson, which opened on Broadway in 2010 following workshops at Williamstown Theatre Festival and New 42nd Street Studios, plus runs in Culver City, California, and New York’s Public Theater. The musical, depicting the populist president as an emo band frontman, became a talking point in the theatre community once more in 2016 due to its thematic ties to the presidential election.

“Andrew Jackson rewrote the history of America as he was going,” Friedman told Playbill in a 2010 interview. “That’s one of the weird things about taking control of a country; you get to rewrite the narrative entirely.”

Friedman had been working on a piece that musicalized the thoughts of primary voters from across the United States during election season. Each new song would premiere on The New Yorker’s Radio Hour; the magazine had also partially funded the project. “I definitely believe in the politics of music and theatre and popular art,” Freidman told Playbill in 2016. “I certainly think they are a conduit. Art is what survives from protest movements.”

The NYT added:

He was a founding associate artist with the Civilians, an acclaimed downtown troupe that practices what it calls “investigative theater,” often using verbatim dialogue taken from interviews conducted by the artists.

He was endlessly interested in politics — a subject that informed much of his work and many of his dinner-table conversations — and in 2016 he collaborated with The New Yorker and WNYC on songs based on interviews with voters.

And most recently, he had served as artistic director of Encores! Off-Center, an annual summer program at New York City Center that presents staged concert performances of Off Broadway musicals.

Playbill adds:

In addition to Bloody Bloody Andrew Jackson, Friedman’s work included music for the musical The Fortress of Solitude, which played the Public in 2014, as well as the Public’s Shakespeare in the Park presentation of The Tempest the following year. He also penned the score for the 2008 Off-Broadway musical The Drunken City, as well as music for the 2010 Signature Theatre revival of Angels in America and the Broadway adaptation of Misery.

The Public Theater announced Friedman’s death.

Said Artistic Director Oskar Eustis: “Michael was one of the most brilliant, multi-talented theater artists of our time. He was also a miracle of a human being: loving, kind, generous, hilarious, thrilling. His loss leaves a hole in the theater world that cannot be filled, and a hole in the hearts of those who loved him that will last forever.”

Tributes poured out on Twitter:

Aching with gratitude for the music & joy he gave us.
Mourning all the music we’ll never hear.#RIPMichaelFriedmant.co/f5zghAw4re

— Lin-Manuel Miranda (@Lin_Manuel) September 10, 2017

RIP Michael Friedman, 41, hugely gifted composer and thinker. An unspeakable loss for the theater world. pic.twitter.com/x1wblTCVUI

— Adam Feldman (@FeldmanAdam) September 9, 2017

Time with Michael Friedman always made me feel more brave,more clear,more wise,more possible. Only he would know how to make sense of this.

— Jordan Roth (@Jordan_Roth) September 10, 2017

If Michael Friedman’s loss is even 1/10 as painful as the losses felt at the height of the AIDS crisis, I don’t know how anyone functioned.

— Lane Williamson (@lanewilliamson) September 10, 2017

Love & mercy dear Michael Friedman. An exquisite artist & a wonder of a man. Our theater generation has lost one of its brightest stars.

— Thomas Sadoski (@ThomasSadoski) September 10, 2017

Michael Friedman created things that fit like cement between the bricks. And I loved the way the man could talk without taking a breath.

— Alex Brightman (@ABrightMonster) September 10, 2017

The best tribute we can offer Michael Friedman is his own music from Angels in America. We love you Michael. RIP. t.co/fMxFC9YPso

— Signature Theatre (@SignatureTheatr) September 9, 2017

RIP Michael Friedman. This is so sad. I adored working with you and knowing you. The world isn’t as bright anymore without you. ?

— Donna Vivino (@donnavivino) September 9, 2017

Devastated by news of Michael Friedman’s death but grateful for his music & for the time I got pick his big brain t.co/ZJndr5cDPU pic.twitter.com/kRrL5VsqaG

— Rob Weinert-Kendt (@RobKendt) September 10, 2017

Michael Friedman was a frantic, funny, tender, explosive talent. A bewildering loss. t.co/L2re43YhCw

— Michael Schulman (@MJSchulman) September 9, 2017

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Broadway Veteran Michael Friedman Dies at 41 of Complications from HIV/AIDS

How the Truth Can Get Damaged in a Hurricane, Too

How the Truth Can Get Damaged in a Hurricane, Too

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The disinformation and falsehoods that can accompany breaking news online — involving terror attacks or national elections — have become a familiar plague in recent years. Big weather stories, it now seems clear, are not immune. On Twitter, Facebook and a handful of other venues, hundreds of thousands of people in recent days have clicked or…

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How the Truth Can Get Damaged in a Hurricane, Too